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Natasha Tripney

International Editor

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Why festivals remain invaluable for early-career artists

Serbia’s cultural censorship battle must not go under the radar

Croydonites festival proves the need for bold theatre, not cheap punchlines

Opinion

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Theatre must use collective creativity to solve its sponsorship problem

Tom Stoppard wasn’t always embraced by our industry

AI and the audition process: a casting director’s take

What does the return of Scott Rudin mean amid Broadway’s financial woes?

Theatre can provide the feeling of connection for everyone

Tom Stoppard’s genius underlines what we now risk losing

Alan Cumming’s salary sacrifice could set a concerning precedent

11 things your agent won’t tell you, but wishes you knew

Put the joy back into theatremaking to stop the talent drain

A new era for The Stage in print

Don’t obsess over converting panto audiences into regular theatregoers

New plays are the engine of our sector – we must give them fuel

Natasha Tripney

International Editor

Natasha is international editor for The Stage. She co-founded Exeunt magazine and regularly writes for the Guardian and the BBC.

More from this author

Why festivals remain invaluable for early-career artists

Serbia’s cultural censorship battle must not go under the radar

Croydonites festival proves the need for bold theatre, not cheap punchlines

Theatre must use collective creativity to solve its sponsorship problem

Tom Stoppard wasn’t always embraced by our industry

AI and the audition process: a casting director’s take

What does the return of Scott Rudin mean amid Broadway’s financial woes?

Theatre can provide the feeling of connection for everyone

Tom Stoppard’s genius underlines what we now risk losing

New plays are the engine of our sector – we must give them fuel

AI and the audition process: a casting director’s take

It’s time for dance to stop surviving and start thriving

I’ve seen how Kyiv’s theatre scene is responding to Russia’s brutal war

What does the return of Scott Rudin mean amid Broadway’s financial woes?

Tom Stoppard wasn’t always embraced by our industry

Advice

Pat O’Toole: ‘Building a toolkit to support your mental fitness is crucial’

by John Byrne

Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

by John Byrne

Who needs drama school anyway?

by John Byrne

Applied theatre: what is it and is it the right path for you?

by Samantha Marsden

Pantomime round-up 2025: Jack and the Beanstalk, Beauty and the Beast and more

This year, the bumper crop of pantomimes features: Jack and the Beanstalk, Beauty and the Beast, Sleeping Beauty and Peter Pan: A Pantomime Adventure

Paddington the Musical extends West End run until 2027

Paddington the Musical will continue to welcome West End audiences until early 2027, its producers have announced

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More about this person

Kate Maltby: We need more shows that put women centre stage, not just their bodies

Opinion by Kate Maltby

Lyn Gardner: Diverse voices use diverse forms and critics need to embrace them

Opinion by Lyn Gardner

Switched on: shows such as Fleabag and Chimerica prove TV and theatre can inspire each other

Long Reads by Fergus Morgan

Royal Society of Literature recruits UK's younger playwrights in diversity drive

News by Georgia Snow

More about this organisation

If You Fall review

Reviews by Ben Kulvichit

Actor Billy Howle: 'I don’t want to start being recognised just for being famous'

Features by Fergus Morgan

What Remains of Us review

Reviews by Ben Kulvichit

Dionne Draper: 'Discover what needs to be developed'

Training & Advice by John Byrne

Advice

Pat O’Toole: ‘Building a toolkit to support your mental fitness is crucial’

by John Byrne

Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

by John Byrne

Who needs drama school anyway?

by John Byrne

Applied theatre: what is it and is it the right path for you?

by Samantha Marsden

RSC plans to reduce headcount by 11% and merge costume departments

The Stage Awards 2026: nominees in full

National Theatre highlights dynamic pricing as ‘exciting’ area for investment

Ex-Royal Ballet dancer vying to become next House of Lords speaker

RSC planning to cut in-house musicians under cost-cutting plans

Paddington the Musical review

Paddington the Musical at the Savoy Theatre – review round-up

Theatre company formed to honour ‘rebellious’ first female RSC director

Equity pursues ‘bold’ claims for pay increases and five-day rehearsal weeks

Matthew Byam Shaw: I’m worried that Korea and Singapore will ‘grab’ our theatre tech

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