The Stage

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Natasha Tripney

International Editor

More from this Author

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Opinion

Latest
Most Read

Creativity and AI are not opposing forces – this is evolution, not revolution

An AI marketplace is good news for culture. But theatre's already out of the loop

Extreme weather poses tricky questions for theatre’s long-term future

Broadway’s economics risk turning the Tonys from a celebration into an obligation

Dance is not data – what the rise of AI tells about creative connection

Why is Little Shop of Horrors suddenly everywhere?

Let audiences film the curtain call

Theatres lose more than a point of sale if they shut their box offices

Where is the standing ovation for our stage managers?

National Theatre’s touring plans are long overdue

Extreme weather poses tricky questions for theatre’s long-term future

Why is Little Shop of Horrors suddenly everywhere?

Natasha Tripney

International Editor

Natasha is international editor for The Stage. She co-founded Exeunt magazine and regularly writes for the Guardian and the BBC.

More from this author

Rufus Norris on returning to directing with a Turkish take on Arthur Miller

Early birds and night owls: why a show’s start time can make all the difference

Fasting and theatremaking: Muslim artists on working through Ramadan

Creativity and AI are not opposing forces – this is evolution, not revolution

An AI marketplace is good news for culture. But theatre's already out of the loop

Extreme weather poses tricky questions for theatre’s long-term future

Broadway’s economics risk turning the Tonys from a celebration into an obligation

Dance is not data – what the rise of AI tells about creative connection

Why is Little Shop of Horrors suddenly everywhere?

Extreme weather poses tricky questions for theatre’s long-term future

An AI marketplace is good news for culture. But theatre's already out of the loop

National Theatre’s touring plans are long overdue

Broadway’s economics risk turning the Tonys from a celebration into an obligation

Why is Little Shop of Horrors suddenly everywhere?

Let audiences film the curtain call

Advice

Five factors causing visa issues for theatre shows touring to the US

by Amanda S Brill

Rayxia Ojo: ‘You never really know when you’ve left a lasting impression on someone’

by John Byrne

Lucy Fennell: ‘It’s a lifelong quest to understand and stay in touch with who you are’

by John Byrne

Pat O’Toole: ‘Building a toolkit to support your mental fitness is crucial’

by John Byrne

£8m capital funding to benefit Welsh arts organisations

The Welsh government and Arts Council of Wales have announced £8m of capital funding

£8m capital funding to benefit Welsh arts organisations

The Welsh government and Arts Council of Wales have announced £8m of capital funding

Latest Issue

The Stage Magazine - June 2026

The Stage Interview Sita McIntosh - how to widen Theatre's reach
The Long Read The gender gap backstage
Feature Meet the circus tent masters
My Favourite Play Jessica Hung Han Yun
Exclusive West End ticketing survey

READ IN FULL

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