Top 5 theatre shows to see this week (November 25-December 1)

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Natasha Tripney

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Natasha is The Stage's reviews editor and joint lead critic.

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Without swift action it won’t just be Cinderella facing Closure Day

People are more important than art. Theatre must do more to protect them

What’s the secret to a great adaptation? Focus on form as well as content

Where is theatre’s promised insurance scheme?

The rules may be relaxing, but that doesn’t mean all theatre audiences are

‘Freedom’ for the fit, worry for disabled audiences – is this what theatre wants?

I love theatre, but not its damaging long-hours culture – it’s no way to live

How can we support freelancers? Give them salaries and a seat at the table

People are more important than art. Theatre must do more to protect them

Theatre has become a money-making machine. We have a chance to change

Covid passports are on their way, but will there be any theatre left to watch?

From Angela Lansbury’s Auntie Mame to Constellations of stars, casting is key

Natasha Tripney

Reviews Editor

Natasha is The Stage's reviews editor and joint lead critic.

More from this author

The rules may be relaxing, but that doesn’t mean all theatre audiences are

Rame Lahaj: ‘I want to help Kosovan musicians share a stage with world-class artists’

Was NT's Hex announcement another example of theatre's nepotism problem?

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Without swift action it won’t just be Cinderella facing Closure Day

People are more important than art. Theatre must do more to protect them

What’s the secret to a great adaptation? Focus on form as well as content

Where is theatre’s promised insurance scheme?

The rules may be relaxing, but that doesn’t mean all theatre audiences are

‘Freedom’ for the fit, worry for disabled audiences – is this what theatre wants?

People are more important than art. Theatre must do more to protect them

Theatre has become a money-making machine. We have a chance to change

The rules may be relaxing, but that doesn’t mean all theatre audiences are

What’s the secret to a great adaptation? Focus on form as well as content

‘Freedom’ for the fit, worry for disabled audiences – is this what theatre wants?

Without swift action it won’t just be Cinderella facing Closure Day

Advice

Amanda Stuart Fisher: 'We need to think about global challenges and theatre’s role in meeting them'

by John Byrne

Kaysha Woollery: 'My first job came during the first lockdown. It was a godsend'

by John Byrne

Sterre Maier: 'You never know where one job may lead'

by John Byrne

Lottie Walker: 'I wouldn’t be doing my current show without my first job'

by John Byrne

The ‘English Elvis’: Tommy Steele’s 65 years in the spotlight

Sculptor, rock’n’roll singer and stage star – as well as a Guinness World Record holder – Tommy Steele has been a fixture of the entertainment world since the 1950s. The author of Steele’s new biography Sebastian Lassandro tells Michael Quinn more

Russells International Circus to launch touring academy from June 2022

Billed as the only active touring circus school within the UK, the Universal Circus Academy will run a six-week course each year, with students learning hands-on skills as well as creating their own act

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Manchester £9.01/hour

Top 5 theatre shows to see this week (November 25-December 1)

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