Tom Clutterbuck: Mixing theatrical ambition with the elements can leave technical teams all at sea

Southbank Centre addresses skills shortages with launch of Technical Academy

Elvis Presley to return as hologram in 'immersive' AI concert

Unregulated AI is a real threat to actors – the UK urgently needs legislation

A strong first season isn’t the only way to judge a venue’s new leadership

As Act for Change closes, the awareness it created must now translate into action

Smash to Schmigadoon!: will more theatrical TV shows make a leap to the stage?

Poor stage-door behaviour puts more than just actors at risk

Where will modern classics come from without a nationwide new-writing strategy?

Misleading marketing must go now... and you can quote me on that

Predatory autograph hunters outside theatres pose a dangerous risk

What we’ve learned from 100 NT Live productions

Not all West End hits thrive on Broadway. Why?

Are England's three flagship theatres all hitting their stride at the same time?

Arlene Phillips’ joyful Olivier win was a rare example of a justified ovation

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Elvis Presley to return as hologram in 'immersive' AI concert

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Archive by The Stage

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Opinion

Latest
Most Read

Unregulated AI is a real threat to actors – the UK urgently needs legislation

A strong first season isn’t the only way to judge a venue’s new leadership

As Act for Change closes, the awareness it created must now translate into action

Smash to Schmigadoon!: will more theatrical TV shows make a leap to the stage?

Poor stage-door behaviour puts more than just actors at risk

Where will modern classics come from without a nationwide new-writing strategy?

A strong first season isn’t the only way to judge a venue’s new leadership

Toilet humour? These playwrights have found compassion in the cubicle

Poor stage-door behaviour puts more than just actors at risk

We're all responsible for theatre's future – but are we all sharing that burden?

Where will modern classics come from without a nationwide new-writing strategy?

Portraying real people on stage requires respect and accountability

Advice

Jake Daniel Smith: 'I believe in the importance of representation through a place and its people'

Anita Gilbert: 'There should be fewer gatekeepers and more gate openers'

Creative Well's Nadine Page: 'Prioritise self-care and mental well-being alongside artistic pursuits'

Conrad Murray: 'If you have ideas and characters that you are dying to play, let people see them'

L’Olimpiade review

Daisy Evans’ staging of Vivaldi’s Olympic Games opera achieves exceptional clarity

J. Smith-Cameron to make West End debut opposite Mark Rylance

Succession’s J. Smith-Cameron will make her West End debut alongside Mark Rylance in a centenary production of Seàn O’Casey’s Juno and the Paycock, directed by Matthew Warchus

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Museum of Austerity review

Reviews by Tracey SinclairLive Theatre, Newcastle

Lazarus Theatre Company makes first multimedia show with AI-infused Julius Caesar

Southbank Centre addresses skills shortages with launch of Technical Academy

Elvis Presley to return as hologram in 'immersive' AI concert

Advice

Jake Daniel Smith: 'I believe in the importance of representation through a place and its people'

Anita Gilbert: 'There should be fewer gatekeepers and more gate openers'

Creative Well's Nadine Page: 'Prioritise self-care and mental well-being alongside artistic pursuits'

Conrad Murray: 'If you have ideas and characters that you are dying to play, let people see them'

“Jarring and urgent mixed-reality show”

Recommended for you

Museum of Austerity review

Reviews by Tracey SinclairLive Theatre, Newcastle

Lazarus Theatre Company makes first multimedia show with AI-infused Julius Caesar

Southbank Centre addresses skills shortages with launch of Technical Academy

Elvis Presley to return as hologram in 'immersive' AI concert