The Stage

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Theatre’s power lies in how it lands, not what it means

Theatre must use collective creativity to solve its sponsorship problem

Let’s rethink our assumptions about theatre post-Covid

Netflix purchase of Warner Bros could ‘reshape’ theatre – BECTU boss

News by Katie Chambers

Artists vindicated in AI dispute after just 3% back opt-out copyright model

News by Katie Chambers

Directing part-time is possible but it needs structure and the right support

Opinion by P Burton-Morgan

Actors Touring Company appoints Sara Aniqah Malik as associate director

Appointments by Matthew Hemley

Directing part-time is possible but it needs structure and the right support

Theatre’s power lies in how it lands, not what it means

Chess makes the wrong move with Broadway revival

Front-of-house staff deserve their share of the spotlight

OCD is much more complex than many recent plays would suggest

It is a joy for critics to watch a company evolve

Alan Cumming’s salary sacrifice could set a concerning precedent

Put the joy back into theatremaking to stop the talent drain

Chess makes the wrong move with Broadway revival

A new era for The Stage in print

Working with celebrities isn’t always plain sailing – a stage manager’s tale

Hands-on costume work is not properly valued in the creative process

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Netflix purchase of Warner Bros could ‘reshape’ theatre – BECTU boss

News by Katie Chambers

Artists vindicated in AI dispute after just 3% back opt-out copyright model

News by Katie Chambers

Directing part-time is possible but it needs structure and the right support

Opinion by P Burton-Morgan

Actors Touring Company appoints Sara Aniqah Malik as associate director

Appointments by Matthew Hemley

Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

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Theatre’s power lies in how it lands, not what it means

Theatre must use collective creativity to solve its sponsorship problem

Let’s rethink our assumptions about theatre post-Covid

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Directing part-time is possible but it needs structure and the right support

Theatre’s power lies in how it lands, not what it means

Chess makes the wrong move with Broadway revival

Front-of-house staff deserve their share of the spotlight

OCD is much more complex than many recent plays would suggest

It is a joy for critics to watch a company evolve

Chess makes the wrong move with Broadway revival

Working with celebrities isn’t always plain sailing – a stage manager’s tale

OCD is much more complex than many recent plays would suggest

Theatre’s power lies in how it lands, not what it means

Hands-on costume work is not properly valued in the creative process

It is a joy for critics to watch a company evolve

Advice

Pat O’Toole: ‘Building a toolkit to support your mental fitness is crucial’

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Hodge review: Arts Council is vital but needs radical change

Margaret Hodge’s long-awaited review of Arts Council England has called for a ‘radical overhaul’ of the funding body’s systems, including creating a commercial arm, replacing the Let’s Create strategy and reimagining ‘bureaucratic’ application processes

Hodge review: Arts Council is vital but needs radical change

Margaret Hodge’s long-awaited review of Arts Council England has called for a ‘radical overhaul’ of the funding body’s systems, including creating a commercial arm, replacing the Let’s Create strategy and reimagining ‘bureaucratic’ application processes

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Theatre’s work is not done: women in the industry are still battling misogyny

THIS IS NOT A PAYWALL

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