The Stage

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Tom Stoppard’s genius underlines what we now risk losing

A new era for The Stage in print

The Hunger Games shows brand power cuts both ways

A new era for The Stage in print

Opinion by Alistair Smith

A new kind of winner for The Stage 100

Features by Matthew Hemley

Theatre must use collective creativity to solve its sponsorship problem

Tom Stoppard wasn’t always embraced by our industry

AI and the audition process: a casting director’s take

What does the return of Scott Rudin mean amid Broadway’s financial woes?

Theatre can provide the feeling of connection for everyone

Tom Stoppard’s genius underlines what we now risk losing

Alan Cumming’s salary sacrifice could set a concerning precedent

11 things your agent won’t tell you, but wishes you knew

Put the joy back into theatremaking to stop the talent drain

A new era for The Stage in print

Don’t obsess over converting panto audiences into regular theatregoers

New plays are the engine of our sector – we must give them fuel

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A new era for The Stage in print

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Alistair Smith is editor of The Stage. He is also the author of two major industry reports (the London Theatre Report and the Theatre Workforce Review) and is the chair of theatre careers charity Get Into Theatre.

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Bristol Old Vic Theatre School renames studio after late Patricia Routledge

Bristol Old Vic Theatre School has changed the name of one of its performance spaces to the Routledge Studio in honour of renowned former student Patricia Routledge

Bristol Old Vic Theatre School renames studio after late Patricia Routledge

Bristol Old Vic Theatre School has changed the name of one of its performance spaces to the Routledge Studio in honour of renowned former student Patricia Routledge

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