The Stage

America the Beautiful: Chapter 1 review

Reviews by Tom WickerKing's Head Theatre, London

New to The Stage: ballet dancer Arthur Wille

Ten things I've learned from teaching Gen-Z acting students

Ten things I've learned from teaching Gen-Z acting students

BAFTA incident exposes the need for more relaxed theatre performances

Timothée Chalamet has bitten the hand that feeds him

Risk-taking is essential to make theatre that matters

Olivier nominations 2026 – who missed out?

Reese Witherspoon is right – but talent doesn’t grow without opportunity

Dracula's uneasy first bite is a warning not to take preview audiences for suckers

Devyani Saltzman’s Barbican exit is part of a depressing trend

Why are we so shy about revealing the true cost of theatre?

What does Ted Stimpson’s exit say about ATG?

Olivier nominations 2026 – who missed out?

Timothée Chalamet has bitten the hand that feeds him

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New to The Stage: ballet dancer Arthur Wille

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Mildred Yuan

Talent agent

Mildred Yuan is a talent agent, diversity advisor and career coach. She is a member of the PMA and a voting member of BAFTA. mildredyuan.com

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Opinion

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Ten things I've learned from teaching Gen-Z acting students

BAFTA incident exposes the need for more relaxed theatre performances

Timothée Chalamet has bitten the hand that feeds him

Risk-taking is essential to make theatre that matters

Olivier nominations 2026 – who missed out?

Reese Witherspoon is right – but talent doesn’t grow without opportunity

Olivier nominations 2026 – who missed out?

Timothée Chalamet has bitten the hand that feeds him

Reese Witherspoon is right – but talent doesn’t grow without opportunity

Risk-taking is essential to make theatre that matters

Ten things I've learned from teaching Gen-Z acting students

BAFTA incident exposes the need for more relaxed theatre performances

Advice

Rayxia Ojo: ‘You never really know when you’ve left a lasting impression on someone’

Lucy Fennell: ‘It’s a lifelong quest to understand and stay in touch with who you are’

Pat O’Toole: ‘Building a toolkit to support your mental fitness is crucial’

Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

Head of Pathway (Stage Manag...

Quentin Tarantino debut play in development for 2027 West End run

A new comedy written and directed by Quentin Tarantino is set to open in the West End in 2027

Quentin Tarantino debut play in development for 2027 West End run

A new comedy written and directed by Quentin Tarantino is set to open in the West End in 2027

Latest Issue

The Stage Magazine - February 2026

The Stage Interview Lynette Linton - A new direction
The Long Read Dr Theatre: the arts & health
Feature Wrestling slams into the spotlight
Archive The Royal Court origin story
Stage Directions Musical theatre's Jamie Muscato

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Quentin Tarantino debut play in development for 2027 West End run

“Fundamentally hollow writing”

America the Beautiful: Chapter 1 review

Reviews by Tom WickerKing's Head Theatre, London

New to The Stage: ballet dancer Arthur Wille

Ten things I've learned from teaching Gen-Z acting students

Advice

Rayxia Ojo: ‘You never really know when you’ve left a lasting impression on someone’

Lucy Fennell: ‘It’s a lifelong quest to understand and stay in touch with who you are’

Pat O’Toole: ‘Building a toolkit to support your mental fitness is crucial’

Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

Recommended for you

Quentin Tarantino debut play in development for 2027 West End run

“Fundamentally hollow writing”

America the Beautiful: Chapter 1 review

Reviews by Tom WickerKing's Head Theatre, London

New to The Stage: ballet dancer Arthur Wille

Ten things I've learned from teaching Gen-Z acting students