National Theatre adds Angels in America to streaming service

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Appointments by Matthew Hemley

Katie Razzall named BBC culture editor

More about this organisation

Lisa Burger has steered the National and the sector through tough times

Opinion by Alistair Smith

Lisa Burger to step down from National Theatre

Appointments by Giverny Masso

Under Milk Wood at National Theatre, London – review round-up

Review Round-Ups by Fergus Morgan

National Theatre unlikely to tour internationally until 2024/25

News by Georgia Snow

Production News

Battersea Arts Centre to retain socially distanced performances for autumn season

Isolation rules force Turbine to cancel My Night with Reg performances

Immersive Great Gatsby announces London return this autumn

Theatre503 to eliminate artist hire fees as it unveils new season

Recommended for you

‘I’ve heard this year’s Edinburgh Fringe will be ‘hybrid’. What does that mean?’

Dear West End Producerby West End Producer

Actor Alan Berkley: 'I got my first role on TV over some steak pie and veg'

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Appointments by Matthew Hemley

Katie Razzall named BBC culture editor

Life at full capacity: theatres report mixed ticket sales and audience division

Scottish theatres to reopen without social distancing from August 9

2022 Lancaster Playwriting Prize to focus on young LGBT+ writers

Battersea Arts Centre to retain socially distanced performances for autumn season

£7m government scheme to offer flexible apprenticeships to creative sector

Isolation rules force Turbine to cancel My Night with Reg performances

Delfont Mackintosh Theatres introduces Covid certification scheme

Immersive Great Gatsby announces London return this autumn

Actors fear losing work over lockdown weight-change as complaints to Equity surge

Life at full capacity: theatres report mixed ticket sales and audience division

Prince of Egypt forced to cancel 11 further days of performances

Mark Rylance and Mackenzie Crook reunite for Jerusalem run

Life at full capacity: theatres report mixed ticket sales and audience division

Two weeks since theatres in England have been allowed to operate at full capacity, venues are reporting a mixed response from audiences

Coronavirus: Matthew Bourne productions to be broadcast on TV

Matthew Bourne shows including Romeo and Juliet, Swan Lake and The Car Man will be screened on Sky Arts as part of a digital programme from his company New Adventures.

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Delfont Mackintosh Theatres introduces Covid certification scheme

Delfont Mackintosh Theatres has become the second major theatre group to require audience members to show proof of vaccination before seeing a show

‘I’ve heard this year’s Edinburgh Fringe will be ‘hybrid’. What does that mean?’

Dear West End Producerby West End Producer

Actor Alan Berkley: 'I got my first role on TV over some steak pie and veg'

“Befuddling”

Vs.

Reviews by Nicole SerratoreOnline

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Opinion by Alistair Smith

More about this organisation

Lisa Burger has steered the National and the sector through tough times

Lisa Burger to step down from National Theatre

Appointments by Giverny Masso

Under Milk Wood at National Theatre, London – review round-up

Review Round-Ups by Fergus Morgan

National Theatre unlikely to tour internationally until 2024/25

News by Georgia Snow

Production News

Battersea Arts Centre to retain socially distanced performances for autumn season

Isolation rules force Turbine to cancel My Night with Reg performances

Immersive Great Gatsby announces London return this autumn

Theatre503 to eliminate artist hire fees as it unveils new season

Recommended for you

‘I’ve heard this year’s Edinburgh Fringe will be ‘hybrid’. What does that mean?’

Dear West End Producerby West End Producer

Actor Alan Berkley: 'I got my first role on TV over some steak pie and veg'

“Befuddling”

Vs.

Reviews by Nicole SerratoreOnline

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal