Albert Rehearsals are my thing.
Hari I definitely prefer rehearsals to performance.
Velma I love rehearsals – I crave rehearsals.
Roland Rehearsals, big time.
Jon Well, this is looking unanimous!
Annie I love them both for different reasons. Rehearsals feel like a collaboration between all the creatives. The performances offer collaboration between the performers and crew and the audience, which I enjoy.
Ros Do rehearsals include tech? Because if so, tech. As a DSM, I feel like tech is where you get to really sink your teeth in and show off your skill set.
John Rehearsals every time. I know it is ultimately the point of rehearsing but, honestly, I can take or leave the actual performance part – as long as it is a good rehearsal room, mind. Going in every day when there are some awful people is a drag. At least with performance, you only have to see them for a couple of hours every night.
Peter There have been shows – mercifully few – where I did not get on with another actor and rehearsals were a struggle. It was then usually a relief to get to the stage where one just performed the play.
Velma The shared experience of the rehearsal room is what makes it so powerful. It creates a family, even if it is a dysfunctional one.
Ros The thing I like about rehearsals is the time bonding with the company and exploring and making the work.
Roland Finding who you are going to be friends with and who is going to be your drinking partner is always very important.
‘Shows are fun but they become like work very quickly, whereas rehearsals feel free and alive’
Peter There are exceptions. I was in a show where the rehearsals were horrid. The director was bad-tempered, the leads looked miserable. And then, when the play went in front of an audience, it was a big success.
Velma Performance will always be the high point, but the creative sustenance from rehearsals is really what keeps me going.
Roland There’s something that is so fun about playing and being able to play. It all feels like it is so creative and warm, at least with the right company. Shows are fun but they become like work very quickly, whereas rehearsals feel free and alive.
Ros Between the rehearsal period in the room and performances, I think I’d go with rehearsals as I find shows can get a little dull.
Albert Previews are exciting, but I get bored in a run faster than you can say “half-hour call”.
Hari The rehearsal process is the most exciting because it is where everything comes together, you make decisions and can be spontaneous – you are stepping into this unexcavated world. Rehearsal is where you can do the most discovery – although, hopefully, that can continue through performance.
Albert I love the fizz when something suddenly catches fire in the room.
Hari Also, it is great to experiment – do a scene in lots of different ways – before having to make a decision on how you’re going to do something for months. Although, of course, hopefully there is space in performance for this to be free.
Roland Some people get so locked down when it is time for the shows that rehearsals always feel alive.
Abi My instinct is that I prefer rehearsals. You can play, have a sense of discovery and freedom, and there is something lovely about the feeling that the possibility and potential is all ahead of you. That said, when you get to the latter stages of the rehearsal process, there can be a real sense that you need an audience in front of the thing. It is impossible to see the finished product when everyone is too wrapped up in it.
Continues...
Roland Working on new scripts is always amazing. The chance to create, play and discover always feels important in some way.
John Rehearsal is about the playing part of the process, the investigation part, which is always the most fun. There is, of course, the ability to play with things on stage, but it is, by the nature of it, more confined. You still have to hit those particular beats for other people’s cues.
Peter There have been depressing rehearsal periods when I knew I wasn’t doing good work, followed by depressing performances where I felt the same. And rehearsals where I basked in the warm bath of directorial approval or was stimulated by directorial challenges. In those cases, I couldn’t wait to put the show in front of
an audience.
Albert The only time rehearsals are agony is when a director insists that there is a ‘right’ way of doing it. At that point, I start thinking I should have trained as a plumber.
Peter I cannot remember shows where I enjoyed the rehearsals but not the performances.
John I like the ability to try something out straight away in the rehearsal room rather than having to wait until the next night to try to get something right – if there is the time/space for it. Doing all the table work around the script I find loads of fun.
Albert Table reads that last a week? Absolute torture. I’d rather be getting it wrong then trying it again and playing about. That’s the joy of it.
Ros I love table work. I love digging in and asking questions. I know this is a lot of DSM’s worst nightmare, but I really love it.
John Low-stakes mistakes are an enjoyable part of the process in the rehearsal room. Also, there is more time to sit about and gossip with other actors, which is what I am really there for.
Velma That being said, the urge to be in the electric ‘now’ of the performance is one that drives us all. And, in the end, it’s what works for the audience that ultimately matters.
Annie If you are really vibing with the company/show, then I find performance almost feels like a rehearsal. You feel held and free but sharing that with the audience.
John And rapturous applause is nice.
Abi Egerman is in her 20s and has appeared at the Old Vic, the National Theatre, and in regional rep
Albert Parker is in his 60s and has appeared as a regular in soaps, two BAFTA-winning sitcoms, theatre and TV
Annie Walker is 25. Since graduating from drama school, she has worked in regional theatres and is a writer and street performer
Hari Bairn is in his 20s and since graduating from drama school has worked in the West End, Off-West End and on number one tours
John Pepper is in his 30s and has worked as an actor in regional theatres, the National and in radio, television and film
Roland Reese is an actor in his 30s who has appeared at the National Theatre, in the West End, on TV and film
Ros Clifford is in her 30s. Currently a deputy stage manager, she has worked extensively in London and regional theatre for nine years
Invest in The Stage today with a subscription starting at just £7.99