Alex Poots: 'I always thought that if I stayed in Britain, I'd stay in London'

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Alex Poots hopes to bow out of the festival on a high, before taking on the Culture Shed in New York

Opinion

Digital must not become live theatre’s poorer cousin – audiences need both formats

by Lyn Gardner

Creatives have proven their mettle this year – who we are isn’t being erased

by Grace Smart

Streaming dispute leaves US union members caught in the middle

by Howard Sherman

These might be the last award ceremonies for a while – may they bring hope for theatre

by Richard Jordan

Set design in the Covid era: how theatre's creatives are adapting to socially distanced spaces

Remembering Sarah Kane: the poet with a gift for distilled intensity

The Empty Space: What should have opened this week – Something Rotten!

Culture in lockdown: Marisha Wallace – 'I’ve played every kind of house. Now I want Beyoncé-level success'

Chickenshed: 'It sees difference as good. The industry could learn a lot from this theatre'

Lawrence Batley AD Henry Filloux-Bennett: ‘We have to make work that responds to the world we are in’

Theatre 2021: ‘Back soon... back better’

Simon McBurney: ‘It is clear – above all else – that we need to begin again’

‘It was like seeing a car crash in slow motion’: Theatremakers talk about what it was like when the curtains fell

We Are Theatre: faces from the front line of an industry in crisis

Easing lockdown around the world: 'I do not believe we can go back. This is a time for change'

Sleepless: ‘We need to get back to work, it’s as simple as that’

National Theatre to become film studio for Romeo and Juliet screen adaptation

The National Theatre is creating a made-for-screen version of Romeo and Juliet, starring Jessie Buckley and Josh O’Connor

Theatre 2021: ‘Back soon... back better’

As theatres remain closed with little prospect of returning to business as usual, The Stage has asked changemakers across the industry how the sector can remake its future

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Theatre 2021: ‘Back soon... back better’

As theatres remain closed with little prospect of returning to business as usual, The Stage has asked changemakers across the industry how the sector can remake its future