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Tom Wicker

Tom Wicker

About Tom Wicker

Tom is a freelance writer who also reviews for Time Out and contributes to publications including The Telegraph, Gay Times and Exeunt

Recent Articles

Murder in the Cathedral review

Murder in the Cathedral review

Atmospheric revival of TS Eliot’s dense, doom-laden dissection of religion, conscience and martyrdom
How to Keep Warm in Winter review

How to Keep Warm in Winter review

Affecting tale of Jamaican migrant experiences in 1970s London
Tom at the Farm (Tom na Fazenda) review

Tom at the Farm (Tom na Fazenda) review

Tom at the Farm (Tom na Fazenda) review at the Barbican Centre, London
End of the World and Hard-Boiled Wonderland review

End of the World and Hard-Boiled Wonderland review

Dance-heavy adaptation of Haruki Murakami’s novel is often wildly inventive
Rent review

Rent review

Luke Sheppard’s 30th anniversary revival of this iconic musical reveals both its shortcomings and its enduring strengths
Into the Woods review

Into the Woods review

Jordan Fein’s award-winning revival of Sondheim’s cautionary modern musical fairytale transfers to the West End with even greater wit, poignancy and magic
Hay Fever review

Hay Fever review

Christine Baranski and Richard E Grant star in an amusing, if unadventurous revival of Noël Coward’s classic comedy
Kimberly Akimbo review

Kimberly Akimbo review

American musical about the preciousness of time is a joyfully funny and richly moving success
Jane Eyre: A Musical review

Jane Eyre: A Musical review

Musical adaptation of Charlotte Brontë’s classic novel is admirable, but heavy-going
As You Like It review

As You Like It review

Fun, lightweight revival of Shakespeare’s countryside comedy
Death Note: The Musical review

Death Note: The Musical review

Musical adaptation of the iconic manga tale of law versus justice is kinetically powerful and atmospheric
Cats review

Cats review

Drew McOnie’s revival makes a visual feast of Andrew Lloyd Webber’s iconically odd musical
I’m Every Woman – The Chaka Khan Musical review

I’m Every Woman – The Chaka Khan Musical review

New musical about legendary singer Chaka Khan is a well-meaning mess
Cleansed review

Cleansed review

Rebecca Frecknall finds the visual power of Sarah Kane’s most infamous – and relentless – play
Archduke review

Archduke review

Sharp staging of an absurdist exploration of radicalisation
Tom Wicker

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