Humans are hardwired to exist in relationship and kinship – and theatre as an art form can put that condition into action, says Stephanie Street

While there are benefits to hiring high-status individuals, the diminishing effect on creative collaboration should be taken into account, says Stephanie Street

The ability to form connections and networks is key for actors, and mentorship is an important part of this, says Stephanie Street

Stepping back from work is a hard-earned luxury but it’s important for creatives to reflect on why we do what we do, says Stephanie Street

Filming in a heatwave reminds Stephanie Street of the creatives’ paradox: being able to manifest deep emotions on cue while also putting their own feelings aside

While devolving the NT and RSC could generate more pathways to career stability for freelance artists, this isn’t right moment, says Stephanie Street

With an existential threat hanging over the work of our fellow artists, we must create work that matters

The Years showed how the everywoman’s story can make for powerful theatre, says Stephanie Street, and its Oliviers success may create space for more such tales

Actors face rejection more than most other professions do, says Stephanie Street, so it’s important to develop coping strategies

Students have expectations that training will give them what they need to pursue their chosen career path, but drama schools shouldn’t treat them as ‘clients’, says Stephanie Street

Arts governance should be diverse not just in human make-up but in mindset, too, and more boards appear to be realising this, says Stephanie Street

I value and appreciate the discipline of the vocational teaching I received at drama school, from the movement and voice work to stage combat, says actor Stephanie Street

Stephanie Street discusses actors’ superpower of empathy and the importance of connecting with each other as well as the audience

Stephanie Street discusses the Olympics and draws parallels between the competitors and performers on stage