Welcome! This is your first free article. Get more free articles when you sign up with your email.

The Mirror Crack'd

“Brilliant and irritating by turns”
FacebookTwitterLinkedIn

This is not one for Agatha Christie purists. In Rachel Wagstaff’s radical adaptation of the 1962 Miss Marple novel, names have been changed, back stories invented, and crucial plot lines and relationships altered. The results are brilliant and irritating by turns.

Miss Marple (Susie Blake) is getting on a bit; though she’s still mentally sharp as a tack, she’s physically frail with mobility problems from a recent fall and marginalised in a changing world as the 1960s dawn.

Blake’s Marple is a balance of wry humour and sharp intelligence. She’s strongly supported by Julia Hills’ gossipy Dolly Bantry and Simon Shepherd’s splendidly buttoned-up Chief Inspector Craddock.

They are still in St Mary Mead, but so too are supermarkets, new housing developments and new tenants at Gossington Hall, as Hollywood royalty in the form of glamorous actress Marina Gregg (Suzanna Hamilton) and her director husband (Joe Dixon) take up residence.

Wagstaff and director Melly Still throw every cinematic trick in the book – flashbacks, action replays, rewinds, slow motion, freeze frames – to illustrate how village do-gooder Heather Leigh (Katherine Manners) comes to die so dramatically at the fete thrown in Gossington’s grounds.

It’s a clever but tricksy way of showing the same event from different angles and viewpoints.  Richard Kent’s cavernous set with its see-through walls, Malcolm Rippeth’s lighting and Jon Nicholls’ sound design and music add to the filmic quality of the staging.

Initially, it feels too frenetic and overblown. Once it settles and is allowed to breathe, the production becomes a much more satisfying affair and ends up a thoroughly entertaining take on one of Christie’s best.


Related to this Review

Witness for the ProsecutionWitness for the Prosecution

Production Details
Production nameThe Mirror Crack'd
VenueSalisbury Playhouse
LocationSalisbury
StartsFebruary 15, 2019
EndsMarch 9, 2019, then touring until April 6
Running time2hrs 20mins
AuthorAgatha Christie
AdaptorRachel Wagstaff
DirectorMelly Still
Set designerRichard Kent
Costume designerDinah Collin
Lighting designerMalcolm Rippeth
Sound designerJon Nicholls
Casting directorJim Arnold
CastColin R Campbell, Davina Moon, Gillian Saker, Huw Parmenter, Joe Dixon, Julia Hills, Katherine Manners, Katie Matsell, Simon Shepherd, Susie Blake, Suzanna Hamilton
Production managerJohn Titcombe
Stage managerChristine Hollinshead
ProducerWales Millennium Centre, Wiltshire Creative
VerdictEntertaining and cinematic, if a little frenetic, take on an Agatha Christie classic
FacebookTwitterLinkedIn
Add New Comment
You must be logged in to comment.
Lesley Bates

Lesley Bates

Lesley Bates

Lesley Bates

Your subscription helps ensure our journalism can continue

Invest in The Stage today with a subscription starting at just £3.98
The Stage
© Copyright The Stage Media Company Limited 2020
Facebook
Instagram
Twitter
Linked In
Pinterest
YouTube