Welcome! This is your first free article. Get more free articles when you sign up with your email.

Donnerstag aus Licht

“An unforgettable spiritual journey”
FacebookTwitterLinkedIn

Forget Wagner’s Ring: the largest of operatic cycles is Stockhausen’s Licht (Light), its seven parts each named after a day of the week.

Licht still awaits its first complete performance, but Donnerstag (Thursday), premiered at La Scala, Milan, in 1981, was last seen in the UK at the Royal Opera House back in 1985: this international co-production shows us what we have been missing.

The scale and scope of the piece are vast. Stockhausen’s mystical morality tale is partly autobiographical – the little boy Michael, whose mother is removed to a mental hospital and euthanised while his troubled father is lost in the war, is drawn from his own personal experience.

In the second act Michael, now represented by a trumpeter (the virtuosic Henri Deléger) travels the world, the music of the various locations he visits helping to identify them.

 

In the last act, Michael takes on and appears to see off Lucifer – the cycle’s devil figure. Throughout Eve represents woman as both mother figure and lover. All three characters appear in the triple form of a singer, an instrumentalist and a dancer.

Contributing to the sonic riches are the French amplified orchestra Le Balcon, world-renowned contemporary music specialist ensemble the London Sinfonietta and the equally accomplished New London Chamber Choir, plus the Manson Ensemble from the Royal Academy of Music. Add in complex electronics, and the result under Maxime Pascal’s expert baton is regularly overwhelming.

Dramatically, Stockhausen’s libretto can seem naïve and even childish at times: but ultimately, under Benjamin Lazar’s resourceful direction, the work’s overall impact leads the audience on an unforgettable spiritual journey.


Related to this Review

Andrea ChenierAndrea Chenier

Production Details
Production nameDonnerstag aus Licht
VenueRoyal Festival Hall
LocationLondon
StartsMay 21, 2019
EndsMay 22, 2019
Running time5hrs
ComposerKarlheinz Stockhausen
DirectorBenjamin Lazar
ConductorMark Van De Wiel, Maxime Pascal
Set designerAugustin Muller
Lighting designerChristophe Naillet
Video designerYann Chapotel
CastDamien Pass, Elise Chauvin, Emmanuelle Grach, Henri Deléger, Hubert Mayer, Léa Trommenschlager, Safir Behloul
TechnicalFlorent Derex
ProducerLe Balcon, London Sinfonietta, Opera Comique, Opera National De Bordeaux, Southbank Centre
VerdictThis segment of Stockhausen’s ambitious Licht cycle challenges British companies to offer more
FacebookTwitterLinkedIn
Add New Comment
You must be logged in to comment.
George Hall

George Hall

George Hall

George Hall

Your subscription helps ensure our journalism can continue

Invest in The Stage today with a subscription starting at just £3.98
The Stage
© Copyright The Stage Media Company Limited 2020
Facebook
Instagram
Twitter
Linked In
Pinterest
YouTube