Welcome! This is your first free article. Get more free articles when you sign up with your email.

Bromley Bedlam Bethlehem

“Sensitive exploration of depression”

It runs in the family. Sarah’s estranged father recently killed himself. Her son is also beginning to struggle with his mental health.

Rachel Tookey’s non-linear play explores the relationship between a parent and their child in the face of debilitating mental illness. To begin with, Bromley Bedlam Bethlehem has a Jez Butterworth-style, mythically detailed feel, but this is soon abandoned in favour of a more realistic depiction of the way depression manifests across generations.

Thomas Martin’s production is steadily paced and the cast deal well with the play’s blend of the humorous and harrowing. As son Ben, Daniel Rainford is a soft, frayed presence, Dan Mullane is arresting as dad Eamon, mashing pills into his face as he becomes an increasingly decrepit, difficult and isolated man, while Madeleine Bowyer’s Sarah holds things together, convincingly ageing up and down as the play shifts backwards and forwards in time.

Georgia de Grey’s set makes literal the murky, uncertain territory in which the characters circle each other. An earthy floor and metallic trees place them in a wilderness, Hollie Buhagiar’s whining, buzzing score amps up the creepiness, and the lighting by Pete Maxey turns the trees’ shadows into inescapable bars.

Tookey’s dialogue tends towards the expository at times, the play feels roomy at two hours and a distressingly fake baby makes one distracting appearance. Otherwise, this is a sensitive and sharp portrayal of family members pushing each other away, even as they reach for each other.

Related to this Review

Death of a SalesmanDeath of a Salesman

Production Details
Production nameBromley Bedlam Bethlehem
VenueOld Red Lion
Running time2hrs
AuthorRachel Tookey
DirectorThomas Martin
Set designerGeorgia De Grey
Lighting designerPete Maxey
Sound designerHollie Buhagiar
CastDan Mullane, Daniel Rainford, Madeleine Bowyer
Production managerJoe Monk, Shaz Mcgee
Stage managerSummer Keeling
VerdictSensitive, intelligent exploration of estrangement and depression
Add New Comment
You must be logged in to comment.

Frey Kwa Hawking

Frey Kwa Hawking

Your subscription helps ensure our journalism can continue

Invest in The Stage today with a subscription starting at just £3.98
The Stage
© Copyright The Stage Media Company Limited 2020
Linked In