Kate Maltby: Theatre’s digital future is to be welcomed, but it does raise questions

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Kate Maltby

Kate Maltby is a widely published writer and critic. She is chair of the Critics Circle (Drama Section), London theatre critic for the New Y...

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As theatre begins to renew itself, we must work out how critics engage with it

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Lloyd Webber takes programmes in-house and ticketing online – 21 years ago in The Stage

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Theatregoers happy to return – your views, August 4

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Life at full capacity: theatres report mixed ticket sales and audience division

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Let’s use this year’s hybrid Edinburgh Fringe as a dry run for a fairer ‘new normal’

Look closely across Scotland and you’ll find artists revolutionising theatre

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Partnership, generosity and support will help Scottish theatre overcome this crisis

Women want to express their trauma in their art – we're writing the changes we want to see

Post-pandemic, theatres must stop penalising single-ticket buyers

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Rules have been relaxed but the crisis for theatre still has a long way to go

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

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Lloyd Webber takes programmes in-house and ticketing online – 21 years ago in The Stage

Archiveby The Stage

Theatregoers happy to return – your views, August 4

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Life at full capacity: theatres report mixed ticket sales and audience division

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Quotes of the Week, August 4: Anthony Alderson, Adrian Lester, Mena Suvari and more

Quote UnQuoteby The Stage

Kate Maltby is a widely published writer and critic. She is chair of the Critics Circle (Drama Section), London theatre critic for the New York Review of Books online and deputy chair of Index on Censorship.

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Let’s use this year’s hybrid Edinburgh Fringe as a dry run for a fairer ‘new normal’

Look closely across Scotland and you’ll find artists revolutionising theatre

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Partnership, generosity and support will help Scottish theatre overcome this crisis

Women want to express their trauma in their art – we're writing the changes we want to see

Post-pandemic, theatres must stop penalising single-ticket buyers

People are more important than art. Theatre must do more to protect them

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Changing spaces: how theatre critic Fiona Mountford swapped the stalls for the stage

Women want to express their trauma in their art – we're writing the changes we want to see

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Filmed work was crucial in lockdown but theatre’s essence is lost on screens

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Lloyd Webber takes programmes in-house and ticketing online – 21 years ago in The Stage

We look back to 21 years ago in The Stage when we reported that Andrew Lloyd Webber’s Really Useful Group was to take production of its theatre programmes in-house and sell tickets online

Life at full capacity: theatres report mixed ticket sales and audience division

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Theatre’s digital future is to be welcomed, but it does raise questions

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