Kate Maltby: Localism is vital, but so too is theatre’s national conversation

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Kate Maltby

Kate Maltby is a widely published writer and critic. She is chair of the Critics Circle (Drama Section), London theatre critic for the New Y...

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Sean Turner appointed artistic director of Tunbridge Wells’ Trinity Theatre

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Equity: Employers should not require workers to be double-jabbed

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Curtain Up: Tron Theatre – ‘The live experience is what we’re about, but online kept people in work’

Features by Chris Bartlett

Women want to express their trauma in their art – we're writing the changes we want to see

Post-pandemic, theatres must stop penalising single-ticket buyers

Changing spaces: how theatre critic Fiona Mountford swapped the stalls for the stage

Exquisite Drury Lane revamp is a gift to future generations

Filmed work was crucial in lockdown but theatre’s essence is lost on screens

Let’s re-enter the industry with fresh eyes and be ready for a challenge

People are more important than art. Theatre must do more to protect them

How can we support freelancers? Give them salaries and a seat at the table

Theatre has become a money-making machine. We have a chance to change

Covid passports are on their way, but will there be any theatre left to watch?

Rules have been relaxed but the crisis for theatre still has a long way to go

From Angela Lansbury’s Auntie Mame to Constellations of stars, casting is key

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Immersive Great Gatsby announces London return this autumn

Production News by Giverny Masso

Sean Turner appointed artistic director of Tunbridge Wells’ Trinity Theatre

Appointments by Giverny Masso

Equity: Employers should not require workers to be double-jabbed

News by Giverny Masso

Curtain Up: Tron Theatre – ‘The live experience is what we’re about, but online kept people in work’

Features by Chris Bartlett

Kate Maltby is a widely published writer and critic. She is chair of the Critics Circle (Drama Section), London theatre critic for the New York Review of Books online and deputy chair of Index on Censorship.

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Calling out prejudice is vital – but not at the expense of valid criticism

Opinion

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Women want to express their trauma in their art – we're writing the changes we want to see

Post-pandemic, theatres must stop penalising single-ticket buyers

Changing spaces: how theatre critic Fiona Mountford swapped the stalls for the stage

Exquisite Drury Lane revamp is a gift to future generations

Filmed work was crucial in lockdown but theatre’s essence is lost on screens

Let’s re-enter the industry with fresh eyes and be ready for a challenge

People are more important than art. Theatre must do more to protect them

Rules have been relaxed but the crisis for theatre still has a long way to go

Filmed work was crucial in lockdown but theatre’s essence is lost on screens

Exquisite Drury Lane revamp is a gift to future generations

Stitched up: Commercial producers need to work with designers to avoid a costume crash

Changing spaces: how theatre critic Fiona Mountford swapped the stalls for the stage

Advice

Tanyaradzwa Fear: 'My first job taught me to be fearless, playful and free in my performances'

by John Byrne

LIPA's Gary Horner: 'Do not wait for other people to give you permission to be creative'

by John Byrne

Amanda Stuart Fisher: 'We need to think about global challenges and theatre’s role in meeting them'

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Kaysha Woollery: 'My first job came during the first lockdown. It was a godsend'

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Immersive Great Gatsby announces London return this autumn

London’s "longest-running immersive production" The Great Gatsby has announced it is to return this autumn

Immersive Great Gatsby announces London return this autumn

London’s "longest-running immersive production" The Great Gatsby has announced it is to return this autumn

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Localism is vital, but so too is theatre’s national conversation

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