How the Globe makes musical magic without any technical wizardry
Main: Hannah Mbuya, Adrian Woodward and Sophie Creaner in A Midsummer Night’s Dream at Shakespeare’s Globe, London. Phto: Helen Murray
Shakespeare’s Globe’s head of music James Maloney describes marrying the creative and technical components of creating sound design in an entirely acoustic space
Support The Stage by registering or subscribing
To continue reading this article you must be logged in.
Register or login below to unlock 3 free articles every month.
OR
Or, even better, subscribe for unlimited access and help support independent journalism from as little as £5.99.