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Neil Norman

The Stage
Neil Norman

About Neil Norman

Neil Norman started as a critic for the NME, became the film critic for the Face magazine and the Evening Standard and has written for newspapers including the Guardian and the Sunday Times. He currently divides his time between writing about theatre and dance and contributing to film programmes on Sky Arts. He is also a playwright and novelist.

Recent Articles

Moonlight: The Philip Lynott Enigma review

Moonlight: The Philip Lynott Enigma review

Hagiographic biomusical about the Thin Lizzy frontman is a dog’s dinner
Ballroom to ballet: the brutal world of dance competitions

Ballroom to ballet: the brutal world of dance competitions

The dance competition sector is thrilling, diverse and lucrative. Industry experts give Neil Norman a rare insight into the world where sport intersects with art
Ballet Icons Gala

Ballet Icons Gala

Stars come out for a triumphant 20th-anniversary gala
Chicos Mambo: Tutu review

Chicos Mambo: Tutu review

Comical work is dated and pointless
Matthew Bourne’s The Red Shoes review

Matthew Bourne’s The Red Shoes review

Dance adaptation of the Powell/Pressburger film dazzles
S-E-D//Sharon Eyal: Into the Hairy review

S-E-D//Sharon Eyal: Into the Hairy review

The UK premiere of Sharon Eyal’s latest piece is a striking, muscular work infused with gothic sensuality
Cowpuncher My Ass review

Cowpuncher My Ass review

Glossy attempt at a shock-fest lacks substance and originality
Ruination review

Ruination review

Ben Duke’s Medea-inspired dance piece is a stunning reworking of Greek myth
Arthur Pita: Ten Sorry Tales review

Arthur Pita: Ten Sorry Tales review

Arthur Pita’s adaptation of Mick Jackson’s Ten Sorry Tales is a thrilling danse macabre that will delight all ages
Les Ballets Trockadero de Monte Carlo review

Les Ballets Trockadero de Monte Carlo review

The boys are back in town. And they are as hilarious, charming and magnificent as they have ever been
¡Carpa! review

¡Carpa! review

Enchanting and wonder-filled new show from Giffords Circus
The Car Man review

The Car Man review

Welcome return for Matthew Bourne’s epic ballet noir, starring Will Bozier, Zizi Strallen and Alan Vincent
A Tale of Two Cities review

A Tale of Two Cities review

Ben Duke’s powerful and impressionistic take on Charles Dickens’ A Tale of Two Cities is undeniably moving
Creature

Creature

Stitched together from parts of Mary Shelley’s Frankenstein and George Buchner’s Woyzeck, Akram Khan’s enigmatic ballet contains too many loose threads
Here Come the Boys

Here Come the Boys

Strictly pros take to the floor in this slick and spangled show
Neil Norman
The Stage

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