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Matt Barton

Matt Barton

About Matt Barton

Matt Barton is a freelance theatre critic who has written for the Financial Times, the Observer, Exeunt and WhatsOnStage.

Recent Articles

Fun Home review

Fun Home review

Sentimentality takes centre stage in Sarah Frankcom’s emotionally over-engineered production
Summer Holiday the Musical review

Summer Holiday the Musical review

Musical adaptation of the Cliff Richard film beams simple sunshine
The Surge: An Ode to Sinéad O’Connor review

The Surge: An Ode to Sinéad O’Connor review

Joyce Theater’s dull dance tribute to Sinéad O’Connor misses the singer’s transcendence
Taking the Piste review

Taking the Piste review

Kirkby ski-slope comedy slaloms into smut instead of satire
Attachment review

Attachment review

Monologue about motherhood gets a flat and insipid production
Mrs Dalloway review

Mrs Dalloway review

Kit Green upstages Virginia Woolf in an overindulgent, fleetingly arresting multimedia adaptation
Even These Things review

Even These Things review

James Macdonald directs Rory Mullarkey’s sensitive but scattershot play about the 1996 IRA bomb in Manchester
Return to the Forest review

Return to the Forest review

Theatre-Rites and choreographer Gregory Maqoma bring ancient museum artefacts to life for a forest-set visual feast
The Assassination of Margaret Thatcher review

The Assassination of Margaret Thatcher review

Alexandra Wood adapts Hilary Mantel’s short story into an incendiary and provocative new play
Bank of Dave: The Musical review

Bank of Dave: The Musical review

Rob Madge’s larky new musical, directed by Nikolai Foster, falls short of a solid investment in its social story
The Psychic review

The Psychic review

Andy Nyman and Jeremy Dyson’s new supernatural thriller is haunted by an identity crisis
Twelfth Night review

Twelfth Night review

Visual splendour backdrops an uneven queer reading of Shakespeare’s comedy
Conteh review

Conteh review

Warm, splashy bio-drama about the boxing legend glosses over the man behind the myth
Planet Omar review

Planet Omar review

Well-meaning, warm-hearted but underpowered adaptation of Zanib Mian’s children’s books
Good Golly Miss Molly review

Good Golly Miss Molly review

Politics is drowned out by pop in this revival of Bob Eaton’s overstuffed documentary musical
Matt Barton

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