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Inge Kjemtrup

Opera critic
Inge Kjemtrup

About Inge Kjemtrup

Inge Kjemtrup reviews opera for The Stage. She also writes and edits for a variety of arts organisations and publications, including Independent Opera, Kings Place and Snape Maltings.

Recent Articles

Imeneo review

Imeneo review

Musically delicious Handel at a rare Cambridge venue
In Five Years’ Time review

In Five Years’ Time review

The Music Troupe serves up a sincerely surrealistic opera
La Locandiera review

La Locandiera review

Bampton Classical Opera delivers a charming production of Antonio Salieri’s light-hearted romp
Taj Mahal review

Taj Mahal review

New opera by sitar player Nishat Khan is visually stunning but incoherent
A Visit to Friends review

A Visit to Friends review

Life mirrors art in Colin Matthews’ Chekhov-inspired opera
Wahnfried: The Birth of the Wagner Cult review

Wahnfried: The Birth of the Wagner Cult review

Invigorating and fearless take on Avner Dorman’s Wagner-themed opera
Uprising review

Uprising review

Entertaining and unsettling climate-change community work from Jonathan Dove and April De Angelis
What Dreams May Come review

What Dreams May Come review

Gentle Shakespeare-inspired meditation on death
Götterdämmerung review

Götterdämmerung review

Absorbing production from Regents Opera
Siegfried review

Siegfried review

Vibrant production from Regents Opera is laced with inventive humour
Die Walküre review

Die Walküre review

Fierce Brünnhilde powers Regents Opera’s Walküre
Das Rheingold review

Das Rheingold review

Engaging Rheingold opens Regents Opera’s ambitious Ring cycle
La Bohème review

La Bohème review

With direction from Jonathan Miller and Crispin Lord, this is a moving production of Puccini’s popular favourite
Götterdämmerung review

Götterdämmerung review

Thrilling production crowns the triumph of Longborough’s Ring cycle
Siegfried review

Siegfried review

Longborough Festival Opera’s Ring cycle continues with an absorbing production from director Amy Lane
Inge Kjemtrup
The Stage

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