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Frey Kwa Hawking

Frey Kwa Hawking


About Frey Kwa Hawking

Frey Kwa Hawking is a dramaturg, critic and writer based in London

Recent Articles

Amma review

Amma review

Thoughtful and gorgeously produced VR experience about the women of the Bangladesh War of Independence
The Prince review

The Prince review

Intriguing metatheatrical Shakespearean production plays with gender
Yellowman review

Yellowman review

Electrifying revival of a layered study of colourism
Jarman review

Jarman review

Mark Farrelly’s impressionistic exploration of the daring artist Derek Jarman is a great addition to King’s Head Theatre’s Boys! Boys! Boys! season
A-Typical Rainbow review

A-Typical Rainbow review

JJ Green’s debut play at the Turbine Theatre is a colourful testament to the power of imagination
The Making of Pinocchio review

The Making of Pinocchio review

Rosana Cade and Ivor MacAskill’s exploration of gender and collaboration at Battersea Arts Centre is clever and loving
The Ministry of Lesbian Affairs review

The Ministry of Lesbian Affairs review

Cheerful and funny – if narratively baggy – portrait of a queer community from writer Iman Qureshi
Juniper and Jules review

Juniper and Jules review

Stephanie Martin’s impressively candid take on polyamory and coupledom in queer relationships
Coming to England review

Coming to England review

David Wood and Omar Okai’s musical adaptation of Floella Benjamin’s best-selling memoir features commanding performances as it traces the history of a family arriving in London in the 1960s
Our Generation review

Our Generation review

Alecky Blythe returns to the National Theatre with an ambitious and earnest, if theatrically uninspiring, verbatim exploration of modern youth
An Unfinished Man review

An Unfinished Man review

Exhilarating production of Dipo Baruwa-Etti’s play
Two Billion Beats review

Two Billion Beats review

Sonali Bhattacharyya’s two-hander, directed by Nimmo Ismail, probes injustices, both domestic and colossal
The Rubber Merchants review

The Rubber Merchants review

Big and bawdy performances drive a musical revival of a 1970s satire
Yes So I Said Yes

Yes So I Said Yes

David Ireland’s brutally absurd descent into the mind of a loyalist gunman features impressive performances by Daragh O’Malley, Kevin Trainor, Owen O’Neill, Laura Dos Santos, Kevin Murphy and Declan Rodgers
Foxes

Foxes

Moving performances illuminate a story of Black masculinity, sexual identity, faith and fatherhood
Frey Kwa Hawking
The Stage

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