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Chris Bartlett

The Stage
Chris Bartlett

About Chris Bartlett

Chris is a freelance feature writer, reviewer and playwright, and former chief sub-editor at The Stage. He has been reviewing for The Stage since 1999

Recent Articles

The Railway Children review

The Railway Children review

Visually stunning, emotionally engaging revival of Mike Kenny’s well-loved adaptation of the classic children’s story
Big Big Sky review

Big Big Sky review

Tom Wells’ drama of loss, parenthood and birdwatching is touching and gently amusing 
Twisted! The Musical review

Twisted! The Musical review

Ambitious, enjoyable but unfocused Dickensian musical sequel
Whatever Happened to Phoebe Salt review

Whatever Happened to Phoebe Salt review

Richly evocative production of Stoke playwright Arthur Berry’s lost final play
Public Interest review

Public Interest review

Powerful immersive production from political theatre group Common/Wealth calls out a legal practice responsible for hundreds of convictions
Spitfire Girls review

Spitfire Girls review

Touching drama from Katherine Senior and Eamonn O’Dwyer illuminates the work of the women who flew Air Force planes during the Second World War
Abigail’s Party review

Abigail’s Party review

Imaginatively staged revival of Mike Leigh’s 1970s comedy classic
A Matter of Life and Death review

A Matter of Life and Death review

Magical adaptation captures the otherworldly charm and romanticism of Powell and Pressburger’s classic film
Glorious! review

Glorious! review

Riotously entertaining revival of Peter Quilter’s play about Florence Foster Jenkins hits all the right notes at Manchester’s Hope Mill Theatre
Shirley Valentine review

Shirley Valentine review

Warm restaging featuring Mina Anwar breathes new life into Willy Russell’s well-worn play
Blithe Spirit review

Blithe Spirit review

Frothily funny, if conventional take on Noël Coward’s haunted-house comedy
Of Mice and Men review

Of Mice and Men review

Stripped-back, faithful adaptation taps into the emotional core of John Steinbeck’s tragic tale
The Last Quiz Night on Earth review

The Last Quiz Night on Earth review

With direction from Anna Marsland, this is a likeable, immersive play that successfully incorporates a pub quiz into its apocalyptic action
Escaped Alone and What If If Only review

Escaped Alone and What If If Only review

Compelling, atmospheric revival of two of Caryl Churchill’s uncompromisingly oblique one-act plays
Mariupol Drama review

Mariupol Drama review

Yevhen Tyshchuk’s profoundly moving account of the Mariupol theatre bombing told by the actors who were there
Chris Bartlett
The Stage

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