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Ben Kulvichit

Ben Kulvichit

About Ben Kulvichit

Ben Kulvichit is a freelance critic and theatremaker based in Bristol. As well as writing for The Stage, he is national reviews editor at Exeunt and keeps a blog, Smaller Temples.

Recent Articles

Application 39 review

Application 39 review

Ambitious speculative fiction from Ahmed Masoud imagining life in Gaza in the 2040s
Present Laughter review

Present Laughter review

Tracy-Ann Oberman and James Dreyfus excel in a gender-flipped, transatlantic take on Coward
Fame the Musical review

Fame the Musical review

Exuberant, all-dancing revival of the popular show about stage kids dreaming of stardom
All the Happy Things review

All the Happy Things review

Warmly sincere, simply wrought story of grief
Macbeth review

Macbeth review

Restrained, polite and somewhat miscast production of Shakespeare’s tragedy
Aladdin review

Aladdin review

A polished and high-powered take on Aladdin with lots of local colour
Treasure Island review

Treasure Island review

New take on the classic emphasises its Bristol roots, but lacks peril
A Child’s Christmas in Wales review

A Child’s Christmas in Wales review

Emma Rice’s adaptation of Dylan Thomas is a sweet, sometimes cloying nostalgia trip
How to Win Against History review

How to Win Against History review

Extravagant remount of Seiriol Davies’ cult hit musical about the life of a queer Edwardian aristocrat
The Beautiful Future Is Coming review

The Beautiful Future Is Coming review

Hope and despair tussle for control in this time-hopping climate-crisis play
The Little Mermaid review

The Little Mermaid review

Music and circus drive a fairytale given an ecological update
Summer 1954 review

Summer 1954 review

Nathaniel Parker and Siân Phillips star in deft stagings of a pair of well-made Rattigan one-acts
Santi and Naz review

Santi and Naz review

Guleraana Mir and afshan d’souza-lodhi’s story of female friendship and coming of age set during Indian Partition is energetic, but lacks substance
Reverberation review

Reverberation review

Sensitive production of Matthew López’s chamber play about urban gay life and loneliness
Wonder Boy review

Wonder Boy review

Exuberant staging by Sally Cookson of Ross Willis’ feel-good drama about 12-year-old Sonny, who struggles to overcome his stammer
Ben Kulvichit

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