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Natasha Tripney

Natasha Tripney

International Editor

Biography

Natasha is international editor for The Stage. She co-founded Exeunt magazine and regularly writes for the Guardian and the BBC.

Recent Articles

European Theatre Convention: the influential network setting its sights on the UK

European Theatre Convention: the influential network setting its sights on the UK

Over the past 35 years, the European Theatre Convention has become a serious player on the continent, but there is one place it has always struggled to reach: the UK. The network’s president Cláudia Belchior and some of its members tell Natasha Tripney about artistic collaboration, advocacy and why British theatre should take note
How Rimini Protokoll is giving Taiwan a European embassy

How Rimini Protokoll is giving Taiwan a European embassy

In its latest piece, German collective Rimini Protokoll simulates an ‘impossible’ Taiwanese embassy, highlighting the territory’s diplomatic isolation. The show’s directors tell Natasha Tripney how they explored questions of nationalism through real people’s experiences
As international shows head for the West End, is a new model blossoming?

As international shows head for the West End, is a new model blossoming?

Do forthcoming West End productions with international roots point towards further doors opening between Europe and the UK?, wonders The Stage’s international editor Natasha Tripney
What’s it like directing a show in Germany? Lily Sykes’ experience as an in-house director in Dresden

What’s it like directing a show in Germany? Lily Sykes’ experience as an in-house director in Dresden

The in-house director at Staatsschauspiel Dresden, Lily Sykes has not only quickly got to grips with Germany’s very different theatre system but has thrived in it too. She tells Natasha Tripney about her European theatre experience
Why English-language theatres abroad are vital to the cultural landscape

Why English-language theatres abroad are vital to the cultural landscape

English-speaking theatres overseas occupy a unique spot in the theatre scene. But who are these theatres are for, how do they interact with their surroundings and why are they important to the UK and global industry?
Europe and beyond in 2023: a year in review

Europe and beyond in 2023: a year in review

The Stage’s international editor, Natasha Tripney, reflects on some of the most memorable theatre pieces from across Europe and beyond, in a year of high-profile leadership changes that was also overshadowed in many areas by conflict
La Danse d’Amazon review

La Danse d’Amazon review

Fascinating, if occasionally rambling, fusion of circus and documentary about the inner workings of Amazon
Fast Forward: the German festival helping young directors find their voice

Fast Forward: the German festival helping young directors find their voice

Fast Forward, Europe’s festival for young directors, looks not only to showcase work from emerging artists, but to meaningfully support the next phase of their careers. Natasha Tripney explores what can be learned from the festival’s approach to platforming new voices
Another Route: the artistic fellowship building vital international connections

Another Route: the artistic fellowship building vital international connections

Artistic collective Another Route was set up to break down international barriers for theatremakers, sending its affiliates around the globe to do so. Its organisers and some of the artists involved take Natasha Tripney inside the project that won The Stage’s international award
The Stage

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