Natasha Tripney

Everyone working in the arts is struggling at the moment, but greater openness about the realities of working situations, wealth and the cushion it creates will help, says Natasha Tripney

Daphna Attias and Terry O’Donovan’s inventive and intimate video podcast about grief and our digital afterlife

There’s so much focus on what Festival UK 2022 isn’t, says Natasha Tripney, that it’s hard to imagine what it might be instead

While theatremakers initially responded to the Covid crisis by creating film versions of staged shows, they are increasingly exploring digital techniques to move beyond boundaries with experimental yet accessible work

The pandemic has seen international theatres make available a vast array of work to be watched, debated and analysed. As our attentions switch to reopening physical venues, this must not be lost, says Natasha Tripney

With four of its members arrested following protests against Alexander Lukashenko’s re-election, the exiled company is in desperate straits, says Natasha Tripney. British theatremakers must offer compassion, solidarity and action, no matter how perilous our own situation might be

For almost 30 years, Stan’s Cafe has created eclectic, thought-provoking plays that explore complex ideas. Rather than releasing film of previous productions during the theatre shutdown, artistic director James Yarker explains why the company has chosen to create new work for the digital medium

This is an unusually tough time to be entering the theatre industry, says Natasha Tripney, particularly for career switchers and people over 30. She asks, is theatre too focused on attracting young people?

While the £1.57 billion arts package does feel as if a heavy weight has been lifted, Natasha Tripney explains why she does not feel obliged to thank Oliver Dowden