The aesthetic concept of the sublime loomed large in 2020, says set designer Grace Smart, as everything felt huge and frightening, but at some point we’ll return to the delectable version of the sublime that exists in theatre
Who we are, what we worked so hard to be and the art we create isn’t being erased – it’s being solidified and bolstered. Creatives have proven their mettle this year, says Grace Smart
As designers return to their model boxes and theatre makes moves to return, Grace Smart says the only way to fix its peeling paint is to put people first