The National Theatre’s War Horse revival may be pragmatic rather than pioneering, but that doesn’t make it any less relevant, says Andrzej Lukowski

Channel 5’s redux of Play for Today probably won’t satisfy nostalgic cravings but that doesn’t mean it won’t be good or that TV has no space for playwrights, says Andrzej Lukowski

Jamie Lloyd should be the coolest man in theatre, but his current ubiquity has resulted in an unfair amount of flak from cynics, says Andrzej Lukowski

With the cost of a fringe run ballooning, many artists at the festival are selling merch to bolster their earnings – and grow a fandom, says Andrzej Łukowski

As artistic director roles become increasingly hard to fill, Andrzej Lukowski explores why the progress of 20 years ago appears to have ground to a halt

In her book, The Genius Myth, journalist Helen Lewis discusses the case of theatremaker Chris Goode. Andrzej Lukowski reflects on whether the industry has learned from Goode’s story

Steven Webb’s career was on a hot streak – including Sean Holmes’ Secret Theatre project – when he landed a role in The Book of Mormon. He tells Andrzej Łukowski why he made the unusual decision to stay for seven years and discusses the impact of poor audience behaviour on tour

Artistic director and chief executive of the Royal Court Theatre in London David Byrne tells Andrzej Lukowski what he hopes to achieve at the capital’s premier home for new writing

The past 10 years has seen a slow but noticeable growth of less-conservative European theatre practitioners in the UK, says theatre critic Andrzej Lukowski

From the stilted humour and cosmic dread of Annie Baker to the rolling doomscapes of Yaël Farber, Lynch left a clear mark on theatre, says Andrzej Lukowski

Jamie Lloyd Company’s Sigourney Weaver-starring production of The Tempest closes this weekend, but was it Lloyd’s misjudgement to cast her that fell short?, asks Andrzej Łukowski

Good Chance’s Joe Robertson and Joe Murphy have not had conventional creative careers. They’ve set up a temporary theatre in a migrant camp, co-written plays, and sent a giant puppet on a walk across numerous countries – so how do they define themselves? The pair talk to Andrzej Łukowski about their pasts, presents and their future aims for writing about climate change

Theatre Twitter is pretty much dead now, for a lot of reasons, but if Theatre Bluesky emerges in its place, it might look very different, says Andrzej Lukowski

Idolising the ‘golden generation’ of theatre critics from the 1950s means we are overlooking the qualities of more recent reviewers, says Andrzej Lukowski. Could the next golden generation be closer than we think?