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Paul Vale

Paul has been writing for The Stage since 1998 as a critic and feature writer. He is also part of The Stage's Edinburgh Fringe review team.

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2010 in review: Fringe theatre

2011 in Review: Fringe

A Shrek around the world

Could cinema and theatre regain lost audiences with local collaboration?

It’s time to champion disabled theatre talent with an inclusive recovery

Scott Rudin claims pose major test for West End

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

As theatre returns to normal(ish), freelancers deserve better working conditions

Global-majority artists are still hitting the wall – we need to grow our careers

Don’t give us a break – intervals are an outmoded, unnecessary theatre convention

In the best retellings of Cinderella, the element of surprise stands out

Scott Rudin claims pose major test for West End

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

The play’s the thing: why Ian McKellen’s age-blind Hamlet is no gimmick

It’s high time we flipped the board on those with a monopoly on the industry

Paul Vale

Paul has been writing for The Stage since 1998 as a critic and feature writer. He is also part of The Stage's Edinburgh Fringe review team.

More from this author

Win free training at Razzamataz with The Stage Scholarships

Win free training at Fourth Monkey with The Stage Scholarships

Win free training at Urdang Academy with The Stage Scholarships

Opinion

Latest
Most Read

Could cinema and theatre regain lost audiences with local collaboration?

It’s time to champion disabled theatre talent with an inclusive recovery

Scott Rudin claims pose major test for West End

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

As theatre returns to normal(ish), freelancers deserve better working conditions

Global-majority artists are still hitting the wall – we need to grow our careers

Scott Rudin claims pose major test for West End

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

Data can help theatre tackle inequality, but beware over-optimistic claims

As theatre returns to normal(ish), freelancers deserve better working conditions

Global-majority artists are still hitting the wall – we need to grow our careers

It’s time to champion disabled theatre talent with an inclusive recovery

Advice

Actor Kashelle Taylor: 'Whatever set you are on, take time out to meet the crew'

by John Byrne

How will drama schools operate summer courses in 2021?

by Samantha Marsden

Fight director Kate Waters: 'My first minute in a rehearsal room is the most important part of my day'

by John Byrne

Actor Oliver Dimsdale: ‘I loved every second of my first job’

by John Byrne

Helen McCrory dies aged 52

McCrory was best known for screen roles in the TV series Peaky Blinders and the Harry Potter films, and on stage in productions at the National Theatre and the Almeida

Helen McCrory dies aged 52

McCrory was best known for screen roles in the TV series Peaky Blinders and the Harry Potter films, and on stage in productions at the National Theatre and the Almeida

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