Simon Stone returns to the Bridge Theatre with a radical reworking of Aeschylus, but does the Australian auteur’s latest adaptation of an ancient tragedy captivate the critics? Fergus Morgan rounds up the reviews.
A group of Edinburgh Fringe venues has launched a “zero-commission ticketing initiative” in an effort to make the festival more “financially viable” for artists
Edinburgh International Festival, Manipulate and Edinburgh International Children’s Festival are among organisations set to receive a share of £3.7m from a Scottish government fund introduced last year