David Benedict looks at two recent plays – Sam Grabiner’s Boys on the Verge of Tears and Harry McDonald’s Foam, both set in public bathrooms – to examine how this unlikely location yields tender stories
The connection between fans and actors sets theatre apart from TV and film, creating a real feeling of community, but the safety of the performers must always come first
Welcome to our weekly discussion forum for key issues facing those working in theatre and the performing arts. This week, we ask: what kind of job have you never done, but would like to?
The Royal Shakespeare Company’s director of creative learning and engagement speaks from experience when she talks about the transformative power of an arts-rich education. She explains why it is vital that every child has access to theatre-based teaching
From crossing vast mountain ranges and committing brutal acts of violence, to conjuring life-sized tigers and going inside the human body, theatremakers have long attempted to stage the seemingly unstageable. Artists responsible for some of these onstage phenomena tell Lyn Gardner how they do it, and why, sometimes, doing more with less can be the most powerful solution
The Gulf state is embarking on an ambitious cultural strategy in a bid to diversify its economy and shape a new identity for the country. But its plan is not without its critics. Georgia Snow travels to Riyadh to meet the creators of Saudi Arabia’s first ever grand opera to find out more
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