Welcome! This is your first free article. Get more free articles when you sign up with your email.

The Taming of the Shrew

“Misguided and depressing”
FacebookTwitterLinkedIn

The Taming of the Shrew is one of the most notoriously difficult Shakespeare plays to stage. Director Maria Gaitanidi’s production, unfortunately, does exceptionally little to unravel its inherent problems or to make it a comprehensible, enjoyable piece of theatre.

Employing the original play-within-a-play device, the cast multi-roles while also switching identities and costumes within the world of the play itself. This results in an incredibly hard-to-follow production in which Evelyn Miller’s Bianca and Melissa Riggall’s Katharina are pathologically meek creatures skirting the shadows of a jumbled heap of action.

Michelle Terry performs a number of vaguely comedic subsidiary roles including, at one point, following the performance with a play script in-hand before making a joke about Shakespeare’s plot being difficult to untangle – a gag that’s funny only accidentally.

The programme notes explain that the intention was to stage a radical reassessment of Shakespeare’s early work that goes beyond understanding it on a “mundane level” as a misogynistic play. Instead, the ensemble sought to discover “masculine”, “feminine” and “eros” within the text.

Herein lies an inherent stumbling block, because it’s incredibly difficult to decipher any notion of the mythological feminine, or eros for that matter, in a work of art that – apologies for the mundanity – is so saturated with unabashed hatred for the female.

There’s a tantalising hint that Paul Ready’s sinister Petruchio is actually gaslighting Katharina, telling her she’s an unmanageable hysteric when she’s anything but. Yet this, like so much else, is disappointingly underdeveloped.

Michelle Terry: ‘This job has taught me that democracy is really hard’


Related to this Review

Prema MehtaPrema Mehta

Production Details
Production nameThe Taming of the Shrew
VenueSam Wanamaker Playhouse
LocationLondon
StartsFebruary 8, 2020
EndsApril 18, 2020
Running time3hrs 15mins
AuthorWilliam Shakespeare
ComposerLaura Moody, Vasilis Sarikis
DirectorMaria Gaitanidi
Set designerLiam Bunster
Costume designerLiam Bunster
CastMichelle Terry, James Northcote, Evelyn Miller, Jude Owusu, Paul Ready, Raymond Anum, Ryan Ellsworth, Mattia Mariotti, Melissa Riggall
TechnicalPaul Russell, Cleo Maynard, Tess Dignan
Stage managerRob Walker, Rachael Head
Head of wardrobeMegan Cassidy, Natasha Prynne
Head of wigsPam Humpage
ProducerShakespeare’s Globe
VerdictMisguided production of Shakespeare’s infamously misogynistic play makes for depressing viewing
FacebookTwitterLinkedIn
Add New Comment
You must be logged in to comment.
Rosemary Waugh

Rosemary Waugh

Rosemary Waugh

Rosemary Waugh

Your subscription helps ensure our journalism can continue

Invest in The Stage today with a subscription starting at just £3.98
The Stage
© Copyright The Stage Media Company Limited 2020
Facebook
Instagram
Twitter
Linked In
Pinterest
YouTube