David Benedict has been a daily columnist and theatre editor on the Independent and arts editor of the Observer. He is chief London critic of Variety, a regular guest on the BBC, and is currently writing the authorised biography of Stephen Sondheim. Read David's columns for The Stage every Wednesday.
The Arts Council’s chief executive has recently been determined to speak about the notion of excellence, a concept that has felt actively downgraded since the launch of Let’s Create
David Benedict looks at two recent plays – Sam Grabiner’s Boys on the Verge of Tears and Harry McDonald’s Foam, both set in public bathrooms – to examine how this unlikely location yields tender stories
Rebecca Frecknall’s Cabaret on Broadway has been met with surprising reviews. But when it comes to transatlantic transfers, they remain an unknown territory
The Olivier Awards 2024 ushered in one particularly special moment – and with it, reignited the conversation around overenthusiastic standing ovations, says David Benedict
As the prestigious awards approach this weekend, David Benedict explains how the nominees and winners chosen – revealing some troublingly blurred lines in the process
Writing plays about theatre and using the play-within-a-play format has a lineage dating back to Shakespeare and beyond. Modern works such as Jack Thorne’s The Motive and the Cue prove that audiences are still hungry for the metatheatrical form
Thanks to Arts Council England’s recently published analysis on opera and music theatre, ‘relevance’ is back on the agenda. But the report and its conclusions do not show true understanding of art and artists
We use cookies so we can provide you with the best online experience. By continuing to browse this site you are agreeing to our use of cookies. Click on the banner to find out more.