For once, UK theatre feels in conversation with the continent

The meaning of taking risks in theatre? It depends on where you’re from

The Years secures West End transfer early next year

Big ideas are required to tackle the freelance crisis

The meaning of taking risks in theatre? It depends on where you’re from

Things that go bump in the stalls: where might you feel a ghostly presence tonight?

Have we missed a golden generation of theatre critics?

Finally – a decent theatre trailer

A totally anonymous theatre critic is something that I would love to see

Does theatre’s artistic leadership model need to evolve?

It is down to critics, as much as the industry, to support risk-taking theatre

Beware trying to adapt a masterpiece for the stage

Finally – a decent theatre trailer

Is ACE finally addressing the chronic precarity of theatre's freelancers?

Will Jamie Lloyd's Sunset Boulevard ignite Broadway?

Recommended for you

Comedy The Last Laugh to play West End on 2025 UK tour

The meaning of taking risks in theatre? It depends on where you’re from

The Years secures West End transfer early next year

Andrew Lloyd Webber announces new musical The Illusionist

Natasha Tripney

International Editor

Natasha is international editor for The Stage. She co-founded Exeunt magazine and regularly writes for the Guardian and the BBC.

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Opinion

Latest
Most Read

Big ideas are required to tackle the freelance crisis

The meaning of taking risks in theatre? It depends on where you’re from

Things that go bump in the stalls: where might you feel a ghostly presence tonight?

Have we missed a golden generation of theatre critics?

Finally – a decent theatre trailer

A totally anonymous theatre critic is something that I would love to see

Finally – a decent theatre trailer

Is ACE finally addressing the chronic precarity of theatre's freelancers?

Have we missed a golden generation of theatre critics?

A totally anonymous theatre critic is something that I would love to see

Things that go bump in the stalls: where might you feel a ghostly presence tonight?

It is down to critics, as much as the industry, to support risk-taking theatre

Advice

Lucy Avison: 'I was on a work placement in Scotland at 21 and never really left'

Matt Wilde: 'Be brave, be bold'

Changing courses: how drama training is evolving to meet theatre industry demands

Executive Director - Young Vic

Want a career in technical theatre? Here are tips on the route forwards

by Rob Halliday

TEETH review

With direction from Sarah Benson and composition from Anna K Jacobs, this musical is infectious in its absurdity

Lynette Linton: Representation matters behind the scenes as much as on stage

The director of Barcelona at London’s Duke of York’s Theatre says she doesn’t want to see any more shows where the creative team is not diverse

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TEETH review

Reviews by Lane WilliamsonNew World Stages, New York

Comedy The Last Laugh to play West End on 2025 UK tour

The meaning of taking risks in theatre? It depends on where you’re from

The Years secures West End transfer early next year

Advice

Lucy Avison: 'I was on a work placement in Scotland at 21 and never really left'

Matt Wilde: 'Be brave, be bold'

Changing courses: how drama training is evolving to meet theatre industry demands

“Quick humour and infectious tunes”

Want a career in technical theatre? Here are tips on the route forwards

by Rob Halliday

Recommended for you

TEETH review

Reviews by Lane WilliamsonNew World Stages, New York

Comedy The Last Laugh to play West End on 2025 UK tour

The meaning of taking risks in theatre? It depends on where you’re from

The Years secures West End transfer early next year