Inside The Stage

Castings

JULIA
Film (feature)
International
JILL & FAIRY / PRINCIPAL BOY
Theatre (Touring)
East Midlands, East of England, Greater London, North East England, North West England, South East England, South West England, West Midlands, Yorks & Humber, Channel Islands, Wales
Jack / Dame / Villain
Theatre (Touring)
East Midlands, East of England, Greater London, North East England, North West England, South East England, South West England, West Midlands, Yorks & Humber, Channel Islands, Wales
More castings

Jobs

More jobs

Directory

More suppliers and services

Reviews & Listings

The Scottsboro Boys

When I first reviewed The Scottsboro Boys at its British premiere last October for The Stage, I expressed doubts that it would have a commercial life beyond the Young Vic, despite being thrilled that London was getting the chance to see it at all. I’m even more thrilled to be proved entirely wrong and that it is getting a West...

Elaine Paige In Concert

With the emergence of Andrew Lloyd Webber and Tim Rice in 1970s as major players in a burgeoning musical theatre scene, Elaine Paige was already making a splash in the West End in productions of Hair and Billy. Winning the coveted role of Eva Peron in Evita catapulted Paige not only into the public eye, but also into a new...

Shadows of War

The triumph of Birmingham Royal Ballet’s triple bill is in the way it sketches in the reaction of different societies as war approaches. The big news here is Gillian Lynne’s vision of Robert Helpmann’s lost ballet, Miracle in the Gorbals, a kind of New Testament morality tale set in the Glasgow slums in 1944.
Opening in the darkness with the...

Weekly Poll All polls

The Lion King is celebrating 15 years in the West End. What is your favourite puppet-based show?

View Results

Loading ... Loading ...

Hamlet

Hamlet by Harry Venning for week 40, 2014

News

People

Opinion

All features

In this week's issue

    Exclusively in the October 16 issue of The Stage
     
    • “There’s been more drama offstage than on.” Leicester Curve’s outgoing director Paul Kerryson reflects on 23 years at the helm
    • Now or never – when is the right time to give up acting? The argument reaches fever pitch in this week’s The Green Room
    • After 50 years, actor Kenneth Cranham offers his advice: “You keep going as long as you can remember the lines.”
    • Should the arts council pay for London-based critics to travel to regional theatre press nights? Honour Bayes presents her case
    • European theatre is thin on British ground, not least because of the language barrier. Nick Awde meets the programme trying to change that
The Orange Tree Theatre in Richmond, London. Photo: Noel Foster