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Jack
Film (student)
East of England
Mabel
Film (student)
East of England
Arthur
Film (student)
East of England
Brandon
The Undersigned
South East England
Robin
The Undersigned
South East England
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Deep Pit

Shortlisted for The Stage 2014 Award for fringe theatre of the year, Brass Works Theatre has travelled a considerable distance in its first two years as the only professional company in south Gloucestershire.
Its performing space has morphed from a bare store room above an industrial heritage museum on the outskirts of Bristol, into a proper theatre with excellent computer-controlled...

Gregg Edelman - Broadway State of Mind

Towards the end of his show Broadway State of Mind, US actor and singer Gregg Edelman says how much he loves “mixing it up” – in other words, having a career that has brought him success via Broadway, television, film and cabaret.
The Tony-nominated performer first appeared at the Crazy Coqs last year and has taken a break from preparing...

The Rivals

When Richard Brinsley Sheridan first staged The Rivals in 1775 it wasn’t an immediate success, and Selina Cadell’s new production at the Arcola takes some time to get going as well (at a running time of roughly three hours it has plenty).
The Restoration comedy – written before the advent of the fourth wall in theatre – by its very...

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The Lion King is celebrating 15 years in the West End. What is your favourite puppet-based show?

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Hamlet

Hamlet by Harry Venning for week 40, 2014

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In this week's issue

    Exclusively in the October 16 issue of The Stage
     
    • “There’s been more drama offstage than on.” Leicester Curve’s outgoing director Paul Kerryson reflects on 23 years at the helm
    • Now or never – when is the right time to give up acting? The argument reaches fever pitch in this week’s The Green Room
    • After 50 years, actor Kenneth Cranham offers his advice: “You keep going as long as you can remember the lines.”
    • Should the arts council pay for London-based critics to travel to regional theatre press nights? Honour Bayes presents her case
    • European theatre is thin on British ground, not least because of the language barrier. Nick Awde meets the programme trying to change that
The Orange Tree Theatre in Richmond, London. Photo: Noel Foster