Perhaps the Lib Dems should have got Amanda to inject some poetry into their recent report on the future of the arts - The Power of Creativity.
Tabard was delighted to see that Blackpool long-runner Hot Ice will be returning to the Pleasure Beach this year. However, we were a little confused by director Amanda Thompson’s description of the revamped show.
The Seagull R3, Sunday, January 31
Mrs Mandela BBC2, Sunday, January 31, 11.50pm
Few revenue-generating activities in London have grown at such a rate as Theatreland’s box office which, The Stage revealed, topped £0.5 billion during the last year.
In an article originally published in our November 26, 2009 print issue, Director of the National Council for Drama Training Hilary Strong discusses the changes that need to be made in order for a wider variety of youngsters to consider a career in theatre
Meanwhile, in Germany, there have been some strange goings-on in theatre. Frankfurt’s Schauspielhaus faced a complete and utter breakdown of a performance when the actors decided to substitute vodka for water in a production of Moscow to the End of the Line. Predictably, everything went completely haywire, with one performer falling off the stage and another being rushed to hospital to have his stomach pumped.
Tabard was intrigued to see the results of the reader’s version of the Stage 100 - this publication’s annual power list of the great and the good in the theatre industry.
Occasionally a specific season of programmes brings with it a timely reminder of how awesome a medium radio can be, and Radios 3, 4 and 7’s marking of the 150th anniversary of Anton Chekhov’s birth has been such an occasion. In addition to several dramatisations of his plays and short stories on offer, there has also been an opportunity to hear from contemporary theatre practitioners who have been greatly influenced by his work.
Not that Del Boy would have even been troubled by the absence of quality control, but Only Fools and Horses continued several series past its sell-by date and ended up a pale, and stale, imitation of its once great self. Writer John Sullivan then flogged the dead horse even further by giving the least interesting supporting character, Boycie, an ill-judged and mirth free spin-off, The Green, Green Grass.
Las Vegas, the largest theatre city after London and New York, has been hit hard by the recession, with falling audiences and pressure to offer deals and discounts. But the tide seems to be turning - business is coming back and Cirque du Soleil has just opened a $50 million show in a new theatre. Alistair Smith reports on the downturn’s impact and the latest developments
After an absence of more than a quarter of a century, Roger Rees is returning to the London stage opposite Ian McKellen in Waiting for Godot. He talks to Nick Smurthwaite about life in the US, how his painting career is still on hold and why he’s intent on bringing Shakespeare to the masses
Thanks to SE1’s Twitter service for this next chit chat - one of the most enterprising uses of a planning response Tabard has ever had the pleasure of seeing.
Help can come from the most unexpected of places.
Any film that starts with the caption: “Gwent Police, University of Wales, Newport and Tredegar Comprehensive School presents…” is bound to be a little different. And so it proves with Only Stwpd Cowz Txt N Drive, a road safety film with aspirations towards genuine drama, hence its elevation from YouTube, where it has proved something of a phenomenon, to the schedules of BBC3.
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