Animatronics may have been overtaken by CGI in films, but it’s making a comeback in live shows, explains Sonny Tilders, dinosaur creator and director of Global Creatures
On to a very different type of grand dame of the stage - last week the passing of Danny La Rue was marked with a private funeral in north west London to celebrate the life of the late drag star. And, it would appear, female impersonators have their very own way of paying their last respects.
It is possible to have too much macabre weirdness in one programme.
John Barrowman gives every sign of having the kind of Lycra personality that expands to fit the space available. So I expected him, as top bod in the Cardiff-based extraterrestrial unit, to take centre stage in Torchwood: Asylum, to inhabit the role, to be all flashing eyes and teeth (despite this being radio), to make it Tiger Bay meets Sunday Night at the London Palladium.
The other notable passing of the last few weeks - well, probably the decade, really - has, of course, been Michael Jackson.
Tabard was amused to read recent reports that “almost every time” Dame Judi Dench swears on film, the British Board of Film Classification receives complaints.
Michael Jackson played an unprecedented seven sell-out concerts at Wembley Stadium on The Bad Tour in summer 1988, putting him in the Guinness Book of Records.
Using shock tactics at the Edinburgh Festival Fringe is less likely to garner publicity in this desensitised media age, argues PR guru Mark Borkowski
Currently starring as Beatrice in Much Ado About Nothing in Regent’s Park, Samantha Spiro talks to Nick Smurthwaite about the varied roles she has performed over her career, from impersonating Barbara Windsor to playing Fanny Brice in the musical Funny Girl
A K Bennett-Hunter picks some moments from the recent Theatres Trust conference
Michael Quinn takes a look at the company’s history, its current situation and increasing interest in live music, plus the portfolio of UK theatres it is putting up for sale
One section of the cultural community, however, which appears to have no problem calling a spade as a spade, so to speak, are London’s gay theatre makers.
The Tory’s shadow arts team has done rather a good job at ingratiating itself to the cultural sector over the last year or so. Indeed, its charm offensive has been never more apparent than in the last month, when Conservative minister for culture Ed Vaizey has been seen one day cropping up at a National Campaign for the Arts conference and another in a feature interview for The Grauniad, of all places.
For those delighting in a trip back to the halcyon era when TV advertisements weren’t CGI enhanced and full of deadly dull bank employees singing about mortgages, Radio 4’s Bill Mitchell, The Man Who Wrestled Pumas. Probably, was a great, albeit too brief look at a man whose voice was more gravel laden than the M1’s hard shoulder.
Ozzy (Brian Cox) is not the kind of gangster to let the minor inconvenience of being in prison stop him from taking care of his illicit business interests outside.
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