Richard Jordan

Providing an infrastructure for new voices empowers writers and allows their work to connect with audiences. If theatre simply plays it safe, where will the defining works of the future come from?

With solo shows finding favour with audiences and critics, producers should seize the chance to enjoy the economic benefits and explore ways of extending this beyond the West End

Opening Night was a missed opportunity, but the exaggerated media response to its closure highlights how poorly served theatre is by the mainstream media

Even a talented producer such as Cameron Mackintosh needed the help of small investors early in his career. If these ‘angels’ take flight, the UK theatre landscape might be irrevocably changed

MJ the Musical has transferred to the West End after a popular Broadway run. But will the allegations against Jackson prove a barrier to its success?, asks Richard Jordan

The West End has not seen a musical celebrating London for some time. Should it take a leaf out of New York’s book?

Choosing just 10 shows to watch repeatedly forever can reveal a lot about the titles, artists and theatres that have made important contributions to our lives. What would your selection be?

If the world is watching UK arts cuts to avoid making the same mistakes, what could we be learning from overseas successes?

This year’s Adelaide Fringe shows serve as a reminder of the eclectic joy of theatregoing. Here are my top picks

Success at a fringe festival can mean many different things, but connecting to an international network of producers and venues is one of these unique and important events’ most valuable assets