The Stage

Hunger Games producers urged to tackle ‘unacceptably long’ working hours backstage

Playwrights at Royal Court, National and RSC gain 3% boost to minimum fees

Campaign spotlighting injuries in theatre receives backing from Actors’ Trust

The ‘original key’ debate misses the point

Reason not the need: government proposals threaten to quash arts degrees

Theatre’s greatest strength is that we must experience it together

Dear people in power: a letter on why the arts are an essential public infrastructure

Would it be a crime to kill a sacred cow to free up a West End theatre?

When it comes to Shakespeare, it’s quality not quantity that really matters

Would it be a crime to kill a sacred cow to free up a West End theatre?

What does Trafalgar Entertainment’s acquisition mean for the Bridge Theatre?

When it comes to Shakespeare, it’s quality not quantity that really matters

It’s action that matters for theatre freelancers and we’re starting to see some

Whisper it: did Timothée Chalamet have a point about ballet and opera?

Current, sexy and aspirational: here’s what opera can, and should, be

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Shiv Deepak Rabheru appointed artistic director of Bird Conservatoire

Hunger Games producers urged to tackle ‘unacceptably long’ working hours backstage

Playwrights at Royal Court, National and RSC gain 3% boost to minimum fees

Campaign spotlighting injuries in theatre receives backing from Actors’ Trust

Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

More from this author

Theatre’s greatest strength is that we must experience it together

When it comes to Shakespeare, it’s quality not quantity that really matters

It’s action that matters for theatre freelancers and we’re starting to see some

Opinion

Latest
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The ‘original key’ debate misses the point

Reason not the need: government proposals threaten to quash arts degrees

Theatre’s greatest strength is that we must experience it together

Dear people in power: a letter on why the arts are an essential public infrastructure

Would it be a crime to kill a sacred cow to free up a West End theatre?

When it comes to Shakespeare, it’s quality not quantity that really matters

Would it be a crime to kill a sacred cow to free up a West End theatre?

Theatre’s greatest strength is that we must experience it together

Reason not the need: government proposals threaten to quash arts degrees

Dear people in power: a letter on why the arts are an essential public infrastructure

When it comes to Shakespeare, it’s quality not quantity that really matters

What does Trafalgar Entertainment’s acquisition mean for the Bridge Theatre?

Advice

Five factors causing visa issues for theatre shows touring to the US

by Amanda S Brill

Rayxia Ojo: ‘You never really know when you’ve left a lasting impression on someone’

Lucy Fennell: ‘It’s a lifelong quest to understand and stay in touch with who you are’

Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

Scenic Metalworker, Producti...

The ‘original key’ debate misses the point

Revising the key of a song to match a new actor shouldn’t be controversial, says Carrie Hope Fletcher – what’s important is the emotion content

Scottish theatre needs ‘long-term strategy’ to fend off ‘exhaustion’ – report

A ‘long-term’ strategy to combat a ‘widespread sense of exhaustion’ in the Scottish theatre sector has been recommended in a new report

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The Stage Magazine - July 2026

The Stage Interview Danielle de Niese - Her next act
The Long Read Inside the rise of country house opera
Tony Awards 2026 All the winners from Broadway's big night
My Favourite Play Sarah Connolly

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Shiv Deepak Rabheru appointed artistic director of Bird Conservatoire

Hunger Games producers urged to tackle ‘unacceptably long’ working hours backstage

Playwrights at Royal Court, National and RSC gain 3% boost to minimum fees

Campaign spotlighting injuries in theatre receives backing from Actors’ Trust

Advice

Five factors causing visa issues for theatre shows touring to the US

by Amanda S Brill

Rayxia Ojo: ‘You never really know when you’ve left a lasting impression on someone’

Lucy Fennell: ‘It’s a lifelong quest to understand and stay in touch with who you are’

Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

Recommended for you

Shiv Deepak Rabheru appointed artistic director of Bird Conservatoire

Hunger Games producers urged to tackle ‘unacceptably long’ working hours backstage

Playwrights at Royal Court, National and RSC gain 3% boost to minimum fees

Campaign spotlighting injuries in theatre receives backing from Actors’ Trust