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Production news round-up: Jennifer Saunders and Rupert Everett to star in Theatre Royal Bath season and Maxine Peake cast in IVF play at the Barbican
Refugee theatre company denied entry to Malta after airline deemed cast ‘suspicious’
Theatre awards to celebrate black performers and offstage talent
‘Flexible’ general management company launched by Anthology Group and Sightline Entertainment
Jennifer Saunders and Rupert Everett to star in Theatre Royal Bath summer season
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Follies review at National Theatre, London – ‘still glorious’
Call Me Vicky review at Pleasance Theatre, London – ‘hesitant and constrained’
All My Sons review at Dundee Rep Theatre – ‘poise, beauty and resonance’
Rough Crossing review at the Lowry, Salford – ‘an excellent cast in a frustratingly thin play’
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Anne Morris: Cost, time and hassle – what awaits cross-border performers after a no-deal Brexit
Howard Sherman: I was ‘meshugeh’ to think I didn’t need to see Fiddler in Yiddish
Mark Shenton: Reviews of Steven Berkoff’s Harvey demonstrate a critical lack of respect
Richard Jordan: After critical disappointment, where next for the two most hyped shows of 2019?
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West End star Cedric Neal on auditioning for ITV’s The Voice: ‘I can’t get over Jennifer Hudson throwing her shoes at me’
How a ‘lost’ Gershwin musical is striking up its professional UK debut after 90 years
The real-life stars of Come from Away: ‘Stiff upper lip? British audiences are whistling, hooting and going bananas’
Laura Michelle Kelly: ‘I had to learn how to be myself in front of an audience’
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Be prepared for your career with a scholarship on the Diploma in Professional Acting at Liverpool Theatre School
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Dear West End Producer: ‘How can I tell good acting advice from bad, potentially sabotaging, advice?’
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Julia McKenzie
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Paapa Essiedu and Julia McKenzie in running for 2018 BBC Audio Drama Awards
Jan 4, 2018
Paapa Essiedu, Julia McKenzie and John Hurt are among the finalists for the 2018 BBC Audio Drama Awards. Essiedu and Hurt, who died last year,...
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Latest reviews
Follies review at National Theatre, London – ‘still glorious’
Call Me Vicky review at Pleasance Theatre, London – ‘hesitant and constrained’
All My Sons review at Dundee Rep Theatre – ‘poise, beauty and resonance’
Rough Crossing review at the Lowry, Salford – ‘an excellent cast in a frustratingly thin play’
The Dark Carnival review at Tramway, Glasgow – ‘sumptuous, cleverly constructed gig theatre’
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