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Bridge Theatre

Currently taking charge of two productions simultaneously, In Lipstick at the Pleasance and Dusty Hughes’ Paradise at the Hampstead Theatre Downstairs, director Alice Hamilton tells...

For all that both National Theatre of Scotland and National Theatre Wales both eschew the idea of being tied to a single theatrical home,...

The Stage 100, in association with Spektrix, is intended to reflect who are the 100 most influential people working in the theatre and performing...

The Stage 100, in association with Spektrix, is intended to reflect who are the 100 most influential people working in the theatre and performing...

It may not have been a vintage year for the theatre, but there were plenty of memorable moments. Fergus Morgan gives his unique take...

A year-and-a-bit on, London's Bridge Theatre has established itself as a significant part of the capital's landscape. But here's the thing: has it actually...

Critics have their opinions, but ultimately, it's always the reader who decides whether or not to act on them. That decision may be based...

Brace yourself. Martin McDonagh returns to playwriting for the first time since Hangmen, his phenomenally successful, darkly hilarious 2015 hit. He’s not wasted the...

Like The Pillowman, Martin McDonagh’s supreme 2003 play, his latest work is also about a storyteller – in this case Hans Christian Andersen –...
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