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Waltz of the Hommelettes

“Eggs, elves and evil bunnies”
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Eggs, elves and an evil bunny are the main players in puppetry company Les Antliaclastes’ Waltz of the Hommelettes, an imaginatively sinister but frustratingly slow take on selected Brothers Grimm fairytales.

Well-designed visual detail is its forte, with the action taking place in and around a giant cuckoo clock, its mahogany doors and timepiece sliding open to reveal skittery goblin shenanigans involving shoemakers and a stolen baby. Tinny music-box waltzes and sentimental chanson combine with an eerie soundscape to heighten the sense of supernatural subversion, yet it’s the show’s most humanoid figure – in the form of a buck-toothed bunny in lederhosen brandishing a laser-focus blunderbuss – who proves most malign.

While the elves help to free a trapped deer (a vignette rendered silently with an almost unbearable level of fragile pathos) and teach traumatic lessons in childminding to forgetful mothers, this Bavarian nightmare of a rabbit-man embodies environmental threat, whisking up the contents of a mother bird’s nest in a frying pan and scrambling time itself in his attempt to kill his avian target.

The progress of a cuckoo-in-the-nest from scrawny hatchling to rambunctious raptor who chucks baby Jesus from his manger while the Virgin mother sweeps up is enjoyably weird (a UFO makes an appearance too) but the show suffers throughout from a rather ponderously leaden pace. The distended mask heads for the shoemaker and his wife, as well as the scuttling skeletal elf folk, are also an acquired aesthetic taste. It’s far from cutesy but nonetheless hard to love.

London International Mime Festival – showcasing visual theatre on the capital’s stages


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Production Details
Production nameWaltz of the Hommelettes
VenueBarbican Pit
LocationLondon
StartsJanuary 15, 2019
EndsJanuary 19, 2019
Running time50mins
Set designerPatrick Sims
Costume designerJosephine Biereye
Lighting designerSophie Barraud
Puppet designerJosephine Biereye
Stage managerSophie Barraud
ProducerLes Antliaclastes
VerdictSlow-paced but inventive puppetry retells Brothers Grimm with egg-based themes and environmental lessons
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Anna Winter

Anna Winter

Anna Winter

Anna Winter

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