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The Providence of Neighboring Bodies

“Surreal yet gently told tale”
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A quiet examination of the nature of exclusion and fear of the other is framed as deeply ironic comedy in Jean Ann Douglass’ surreal tale that twists together the stories of tower-block neighbours Ronnie and Dora.

Amy Staats’ needy, lonely Rhode Island teacher Ronnie, who is desperate to get an Air BnB guest, is as small and closed a character as her neighbour Dora is large and open. Lori Elizabeth Parquet’s Dora is beyond ebullient as she attempts, fails and finally succeeds in getting Ronnie into conversation on their adjacent balconies.

There’s a real frisson to Douglass’ writing that speaks with great truth about the nature of loneliness, and Jess Chayes open, clear direction gives both Parquet and Staats the space to explore their characters as they share beer – and an accident – one sunny Saturday morning.

There is a complete change of gear however, with the arrival of Ronnie’s first ever guest, Jane (Dinah Berkley), who is on a journey to find her roots. Jane is a beaver – an animal eradicated in Rhode Island in the 1970s – and her presence brings all sorts of prejudice bubbling to the surface. It’s completely surreal, also a very clever idea, nicely executed.

Production Details
Production nameThe Providence of Neighboring Bodies
VenueUnderbelly Cowgate
LocationEdinburgh
StartsAugust 4, 2018
EndsAugust 26, 2018
Running time1hr 10mins
AuthorJean Ann Douglass
ComposerChris Chappell
DirectorJess Chayes
Set designerCarolyn Mraz
Costume designerEvan Prizant
Lighting designerDerek Wright
Sound designerAsa Wember
CastAmy Staats, Dinah Berkeley, Lori Elizabeth Parquet
Stage managerAllison Raynes
ProducerDutch Kills Theater Company
VerdictSurreal yet gently told tale of modern neighbours highlights ingrained prejudice
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Thom Dibdin

Thom Dibdin

Thom Dibdin

Thom Dibdin

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