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Strange Fruit

“An assured and affecting revival”
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Errol Marshall wants to know himself. This overwhelming desire fuels a burning rage and consumes every fibre of his being. It’s literally driving him mad. The reasons behind this are obvious: he is a young black man growing up without a father in Thatcher’s England, having moved with his family from their native home in the Caribbean. Meanwhile, his mother relaxes her hair, wears skin-tone tights designed for white people, and speaks in that plummy way using only the front of her mouth.

Caryl Phillips’ 1979 debut play Strange Fruit is a great tangle of conflict. Jonathan Ajayi is magnificent as Errol, a man battling to understand his blackness while dating Shelley, a white woman – a heartbreakingly good Tilly Steele. His mother – a perfectly pitched performance from Rakie Ayola – is the opposite; she understands her blackness but wants to be rid of it. She attempts to present herself as a picture of precious white respectability.

Xana’s gorgeous sound design is a constant reminder of Errol’s heritage; steel pans float in an out of audibility like a ghostly whisper from a distant home. It brilliantly complements Max Johns’ set design/art installation, which takes inspiration from Michael McMillan’s 2003 book The Front Room.

All these elements are brought together to gut-wrenching effect in Nancy Medina’s production. Her direction captures all of the different conflicts in Phillips’ play and weaves them together in a way that is potent and affecting.

Musician and poet Xana: ‘It’s a challenge when I’m the only person who looks like me in the room’


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Production Details
Production nameStrange Fruit
VenueBush theatre
LocationLondon
StartsJune 12, 2019
EndsJuly 27, 2019
Running time3hrs
AuthorCaryl Phillips
DirectorNancy Medina
Set designerMax Johns
Lighting designerSally Ferguson
Sound designerXana .
CastDebra Michaels, Jonathan Ajayi, Rakie Ayola, Tilly Steele, Tok Stephen
Stage managerRike Berg
ProducerBush theatre
VerdictNancy Medina’s assured and affecting revival of Caryl Phillips’ 1979 play
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JN Benjamin

JN Benjamin

JN Benjamin

JN Benjamin

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