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Robin Hood and the Babes in the Wood

“Radiant, warm-hearted panto”

Watching panto at the Playhouse is like sitting in front of a log fire with all the family home for Christmas. It brims with the feel-good factor. Nobody knows this audience like Kenneth Alan Taylor, who has been manipulating it for more than 30 years. If we didn’t have to respond ‘Pyjama pyjama’ to his ‘Nightie nightie’, we would all feel short-changed.

Everything about it is radiant, from Tim Meacock’s sparkling sets to the smile on the face of Tim Frater, who plays an ebullient Robin Hood. It’s clear, clean storytelling, with not a trace of innuendo and not a special effect in use. Adele Parry’s choreography is edgy and exhilarating, and all the cast can sing.

John Elkington is Nurse Nelly Noggins. One minute, he’s prim and rather arch, and the next he launches into a full-throttle Queen medley that has the audience begging for more. My abiding memory will be of him standing on the bed, clad in sensible pyjamas and wielding a warming-pan intended to knock out Robin Kingsland’s Sheriff – our cue to roar: ‘Oh, no! Not the Sheriff of Nottingham!’ That’s after he’s tried to hang his negligee on a coat hook painted on the wall. Sublime.


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Production Details
Production nameRobin Hood and the Babes in the Wood
VenueNottingham Playhouse
StartsDecember 1, 2018
EndsJanuary 20, 2019
Running time2hrs 30mins
AuthorKenneth Alan Taylor
DirectorKenneth Alan Taylor
Musical directorJohn Morton
ChoreographerAdele Parry
Fight directorPhilip D’Orleans
Set designerTim Meacock
Lighting designerJason Taylor
Sound designerAdam P Mccready For Poetical Machines
CastAdam Pettigrew, John Elkington, Kelly Agredo, Rebecca Little, Robin Kingsland, Tim Frater
TechnicalRebecca Little
Stage managerJane Eliot-Webb, Kathryn Bainbridge-Wilson, Vickki Maiden
VerdictRadiant, warm-hearted panto from a cast who give their all
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