Welcome! This is your first free article. Get more free articles when you sign up with your email.

The Croft

“Family drama meets supernatural thriller”

On the Applecross peninsula in the West Highlands of Scotland, a young woman named Laura (Lucy Doyle) arrives at her family’s remote holiday cottage for a romantic weekend with her older lover Suzanne (Caroline Harker). Both are looking for an escape from their stifling Home Counties life in Letchworth and from Suzanne’s ongoing divorce and demanding teenage children.

Here – in what must count as the back of beyond in relation to Letchworth at least – they find isolation from phone signals and briefly from their daily concerns. Yet the appearance of Drew Cain’s caretaker David brings bad memories back for Laura, of her mother’s terminal cancer and her resentment of her father.

There are also ghosts here older than living memory. Scenes shift between the present and 1870, when the crofter’s cottage that once stood here was owned by an elderly woman named Enid (Gwen Taylor). Having taken in Eilene (also Doyle) – a young woman who lost a child conceived out of wedlock – there are hints throughout that the story begun in Enid’s era does not end well.

Gwen Taylor in The Croft. Photo: Charlotte Graham

Much like Enid’s apparent psychic residue in the present, writer Ali Milles and director Philip Franks’ play is trapped somewhere between two worlds; in one, a straight family drama, and in another, a haunting supernatural thriller.

With a strong cast who all come with a certain public profile from screen, particularly Taylor and Harker, each of these worlds is well-conjured, and together draw out a certain sense of the changing yet persistent pressures felt by women over the last century and a half.

When one character remarks that they might have visited Cornwall instead, however, the setting is thrown into relief as an odd one; where Enid bears an oddly Welsh name and David speaks of the arcane “old ways” like the only Highlander left without broadband. The least convincing aspect is the sense of place, with rural Scotland cast as a convenient ‘every wilderness’.

Related to this Review

Valued FriendsValued Friends

Production Details
Production nameThe Croft
VenuePerth Theatre
StartsFebruary 4, 2020
EndsFebruary 8, 2020, then touring until April 18
Running time2hrs, 15mins
AuthorAli Milles
ComposerMax Pappenheim
DirectorPhilip Franks
Set designerAdrian Linford
Lighting designerChris Davey
Sound designerMax Pappenheim
CastCaroline Harker, Gwen Taylor, Lucy Doyle, Simon Roberts, Drew Cain
TechnicalSimeon John-Wake
Production managerTammy Rose
Stage managerMark Shayle
Head of wardrobeChrissy Maddison
ProducerTheatre Company
VerdictFamily drama meets supernatural thriller in this touring show
Add New Comment
You must be logged in to comment.
David Pollock

David Pollock

David Pollock

David Pollock

Your subscription helps ensure our journalism can continue

Invest in The Stage today with a subscription starting at just £3.98
The Stage
© Copyright The Stage Media Company Limited 2020
Linked In