Welcome! This is your first free article. Get more free articles when you sign up with your email.

Come from Away

“Daring and originality”
FacebookTwitterLinkedIn

This is the busiest Broadway season for musicals in recent memory. There are 10 new titles debuting there across the year, but Come from Away towers over the rest in terms of originality and daring.

Not based on a pre-existing film or book, it takes its story from a real-life crisis experienced by travellers aboard 38 aeroplanes who were en route to the US on 9/11 – and found themselves suddenly re-routed to the tiny town of Gander in Canada’s Newfoundland when US airspace was summarily closed.

A small community, usually populated by 3,000, suddenly had to take in nearly 7,000 more visitors, where they were forced to spend four days there until the airspace opened again.

The musical personalises and humanises an event that had far bigger repercussions on the world than that of the inconvenience of several thousand air passengers. Amid the tragedy, the human spirit came to the fore.

Musicals are good at creating communities: they herd stories together, held in the embrace of music. Sometimes it’s a shotgun marriage, where the form strains against the content, but here, in this poignant true-life story of instant community building in crisis, there is something bigger: a sense of hope.

Husband and wife writing partners Irene Sankoff and David Hein’s folk-based score has an easy affability and an earnest sincerity. Christopher Ashley’s production gives the show a homespun honesty, and the 12-strong ensemble company, each of whom plays multiple characters,  invest it with real feeling and emotion. This is particularly true in the story of a passenger whose son was a New York firefighter, and another passenger of Middle Eastern origin who initially becomes a figure of suspicion to his fellow travellers.


Related to this Review

How Canadian 9/11 tale made the journey to BroadwayHow Canadian 9/11 tale made the journey to Broadway

Production Details
Production nameCome from Away
VenueGerald Schoenfeld Theatre
LocationNew York
StartsFebruary 18, 2017
EndsDecember 30, 2017
Running time1hr 30mins
ComposerDavid Hein, Irene Sankoff
Book writerDavid Hein, Irene Sankoff
LyricistDavid Hein, Irene Sankoff
DirectorChristopher Ashley

Set designerBeowulf Boritt
Costume designerToni Leslie James
Lighting designerHoward Binkley
Sound designerGareth Owen
CastAstrid Van Wieren, Caesar Samayoa, Chad Kimball, Geno Carr, Jenn Colella, Joel Hatch, Kendra Kassebaum, Lee Macdougall, Petrina Bromle, Q Smith, Rodney Hicks, Sharon Wheatley
ProducerAlhadeff Productions, Allan Detsky, Barbara H Freitag, Bill, Brant Theatricals, Carl, Corey Brunish, Cynthia Stroum, David Mirvish, Demos Bizar, Ellise Coit, Gary, Gwen Arment, Jennifer Pasbjerg, Jerry Frankel, Joel Benoliel, Joshua Goodman, Judith Ann Abrams Productions, Junkyard Dog Productions, Just For Laughs Theatricals, Kenneth Willman, La Jollahouse, Latitude Link, Laura Little Theatricals, Lauren Doll, Lauren Stevens, Les Biller, Linda Potter, Marjorie, Marlene Cohen, Maureen, Michael, Michael Alden, Michael Rubinoff, Molly Morris, Nancy Nagel Gibbs, Pamela Cooper, Paula Reynolds, Radio Mouse, Rena Mendelson, Richard, Richard Winkler, Rodney Rigby, Ron Danz, Ronald Frankel, Rosemary, Sam Levy, Seattle Repertory Theatre, Sheri, Sheridan College, Sherry Belkin, Smith, Spencer Ross, Square 1 Theatrics, Steve, Terry Mcnicholas, The Shubert Organization, Tulchin Bartner Productions, Wendy Gillespie, Yonge Street Theatricals
VerdictA musical that tells an unusual, unfamiliar 9/11 story with tact and tremendous feeling
FacebookTwitterLinkedIn
Add New Comment
You must be logged in to comment.
Mark Shenton

Mark Shenton

Mark Shenton

Mark Shenton

Your subscription helps ensure our journalism can continue

Invest in The Stage today with a subscription starting at just £3.98
The Stage
© Copyright The Stage Media Company Limited 2020
Facebook
Instagram
Twitter
Linked In
Pinterest
YouTube