Welcome! This is your first free article. Get more free articles when you sign up with your email.

Redd

“Redemptive depiction of depression”
FacebookTwitterLinkedIn

An eloquently expressive piece about depression, Boy Blue’s Redd is a fittingly subdued follow-up to the company’s blistering 2017 show Blak Whyte Gray.

It’s choreographed and performed by company co-founder Kenrick ‘H20’ Sandy with an ensemble of eight dancers, all clad in an institutional shade of grey. The group embodies Sandy’s recalcitrant grey matter, agents of neurological dysfunction patrolling and swarming around the edges of the narrow rectangle of light he inhabits. Like depressive trains of thought, these figures create compulsive, compelling patterns: pulsing with relentlessly insidious surges of energy, they galvanise the bewildered Sandy into dull motion and inaction.

Something suggestive of memory emerges as the blankly atomised ensemble dancers suddenly display chipper sociability and morph into a family portrait tableau, complete with stagey grins. Sandy tries to slide into place, fake smile intact, but the group fall away from him: he’s left in a gloomy void, accompanied only by the churn and echo of Michael ‘Mikey J’ Asante’s score.

Redd excellently illuminates both the feeling of numbness that depression causes – the dancers muzzle their mouths, ears and eyes – and the attendant inward-facing anger. It isn’t always elegant, but it resonates. So too does the depiction of Sandy’s release from self-loathing.

As the beat quickens, he follows another dancer (the brilliantly dynamic Emma Houston) in something like a duet, dropping into freezes on the floor and rebounding into bouts of nimble footwork. It’s a resurfacing of agility, both physical and mental, from depression’s dark fog; finally dancing through light and air.


Related to this Review

Blak Whyte GrayBlak Whyte Gray

Production Details
Production nameRedd
VenueBarbican Theatre
LocationLondon
StartsSeptember 26, 2019
EndsOctober 5, 2019
Running time1hr
CreatorKenrick ‘H2O’ Sandy, Michael ‘Mikey J’ Asante
ComposerMichael ‘Mikey J’ Asante
DirectorKenrick ‘H2O’ Sandy, Michael ‘Mikey J’ Asante
ChoreographerKenrick ‘H20’ Sandy
Costume designerRyan Dawson Laight
Lighting designerCharlie Morgan Jones
CastKenrick Sandy, Mikiel Donovan, Nicey Belgrave, Shannelle ‘Tali’ Fergus, Tanaka Bingwa
Company stage managerCarly Hook
ProducerBoy Blue
VerdictBoy Blue's aesthetically spare, atmospherically lit and ultimately redemptive depiction of depression
FacebookTwitterLinkedIn
Add New Comment
You must be logged in to comment.
Anna Winter

Anna Winter

Anna Winter

Anna Winter

Your subscription helps ensure our journalism can continue

Invest in The Stage today with a subscription starting at just £3.98
The Stage
© Copyright The Stage Media Company Limited 2020
Facebook
Instagram
Twitter
Linked In
Pinterest
YouTube