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No One Is Coming to Save You

“Compelling vision of doom”
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Nathan Ellis’ play for theatre company This Noise is obsessed with images, both in its form and its content.

A man and a woman narrate two intercut stories of millennial anxiety and apocalyptic numbness, the play happening in our imaginations, testing what we are able to picture and investigating the images that we saturate ourselves with every day. A TV which the man can’t remember turning on flickers in the background, and the woman spends her days logging raw video footage.

In Charlotte Fraser’s coolly controlled production, visual motifs in the writing materialise like omens – two Hawaiian shirts, footage of trees being felled, a mouth full of blood. As the Woman and the Man, Agatha Elwes and Rudolph Mdlongwa are captivating performers, taking things slowly, allowing each new image to uncurl and land.

Drawing influence from writers such as Chris Thorpe and Nina Segal in its detached narration and incommunicable sense of dread, Ellis’ writing is dense and lyrical, full of shimmering turns of phrases. In among its doom-laden visions, there’s also a lingering optimism, and it ends in a tonal gear-shift with a strawberry-sweet coda that by all accounts shouldn’t work, but somehow does.

This is a strikingly mature work from a young company to watch.


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Production Details
Production nameNo One Is Coming to Save You
VenuePleasance Courtyard
LocationEdinburgh
StartsAugust 1, 2018
EndsAugust 27, 2018
Running time1hr
AuthorNathan Ellis
DirectorCharlotte Fraser
ChoreographerLanre Malaolu
Set designerAlice Simonato, Khadija Raza
Costume designerAlice Simonato, Khadija Raza
Lighting designerJessica Hung Han Yun
Sound designerCallum Wyles
CastAgatha Elwes, Rudolph Mdlongwa
ProducerEmilie Labourey, This Noise
VerdictCompelling vision of doom from a smart young company
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