Welcome! This is your first free article. Get more free articles when you sign up with your email.

Lucia di Lammermoor

“Unpardonably silly”

In Flaubert’s novel Madame Bovary, the unhappily married heroine is inspired by a performance of Donizetti’s Lucia di Lammermoor to reflect on her own position. When faced with an impossible choice, why hadn’t she resisted and implored like Lucia?

It’s a curiosity of Christopher Cowell’s production of Donizetti’s tragedy of forced marriage for Dorset Opera that the heroine, sung by Letitia Vitelaru, is presented as so entirely passive – yet vocally the light-voiced Romanian soprano is all there.

In general Cowell’s staging, with stark, henge-like tombstones forming Louis Carver’s set and handsome Dickens-period costumes by April Dalton, looks good in its broadly traditional way, but the repeated inclusion of a silent ghost (Miranda Spencer-Pearson), who even despatches poor Lucia herself, is unpardonably silly and should never have reached the final cut.

Other main roles are solidly sung. Pauls Putnins brings moral anger to his stern Raimondo, here a local Presbyterian minister, while as Lucia’s bullying brother Enrico, Brett Polegato is rough-hewn but makes a genuine impact.

More consistently impressive is David Junghoon Kim’s Edgardo, sung with clean and lovely tone and a true sense of style; he’s ably seconded by Jung Soo Yun’s articulate Arturo.

The hard-working Dorset chorus is committed throughout, while the orchestra is focused under the invigorating beat of conductor José Miguel Esandi.

And in the famous mad scene, the company fields the glass harmonica that Donizetti originally wrote for, but which is usually replaced by the less effective flute: a small but crucial detail that brings an authentic gothic shiver to the opera’s most chilling episode.

Nabucco review at Dorset Opera Festival – ‘a mystifyingly vague staging’

Related to this Review

Boris GodunovBoris Godunov

Production Details
Production nameLucia di Lammermoor
VenueCoade Theatre
StartsJuly 24, 2019
EndsJuly 27, 2019
Running time3hrs 10mins
DirectorChristopher Cowell
Set designerLouis Carver
Costume designerApril Dalton
Lighting designerMarc Rosette
CastBrett Polegato, Carolyn Dobbin, David Junghoon Kim, John Hudson, Jung Soo Yun, Letitia Vitelaru, Pauls Putnins
Stage managerEllie Williams
ProducerDorset Festival
VerdictGood vocal, choral and orchestral values offset a silly production of Donizetti’s tragedy
Add New Comment
You must be logged in to comment.
George Hall

George Hall

George Hall

George Hall

Your subscription helps ensure our journalism can continue

Invest in The Stage today with a subscription starting at just £3.98
The Stage
© Copyright The Stage Media Company Limited 2020
Linked In