Welcome! This is your first free article. Get more free articles when you sign up with your email.

La Bayadere

“Mesmeric and moving”
FacebookTwitterLinkedIn

First performed in St Petersburg in 1877, Marius Petipa’s La Bayadere is a grand Imperial classic set to broadly danceable tunes by Ludwig Minkus.

The extravagant tale of an Indian temple dancer’s thwarted love for a warrior, as filtered through the 19th century male European imagination, it’s not exactly number one on the list of culturally sensitive ballets. There are leaping fakirs in grubby loincloths and an unfortunate tiger that seems to have wandered in from the Sue Ryder plushie bin.

But for all its cod-Oriental shenanigans and shamelessly exotic spectacle, it’s the principal performances that lift La Bayadere into a moving drama of broken faith.

As Nikiya, the titular temple dancer, Marianela Nunez  articulates a poignant mix of solemnity and sensuousness, with pliant accents of the upper body that speak eloquently of both spiritual devotion and yearning romantic ardour. Her partnership with Vadim Muntagirov proves exquisite once again, a dreamy matching of line and musicality.

As Solor, he’s a high-minded sort of warrior, seemingly as serious as Nikiya but confused, boyish putty in the hands of Natalia Osipova’s ruthlessly alluring Gamzatti, who prowls into a love triangle like a silkily expensive cat with a volatile temper and killer instinct.

While remorseful Solor is elegantly off his chops in the opium den, the corps (admirably led by Romany Pajdak) come into their own in Act II’s famously mesmeric Shades scene. Under misty moonlight, the ensemble’s seemingly simple procession of repeated arabesques creates an almost fractal vision of infinity made flesh.

Dancer Marianela Nunez: ‘The Royal Opera House and the Royal Ballet are my home and my family’


Related to this Review

Natalia Osipova: Pure DanceNatalia Osipova: Pure Dance

Production Details
Production nameLa Bayadere
VenueRoyal Opera House
LocationLondon
StartsNovember 1, 2018
EndsNovember 17, 2018
Running time2hrs 50mins
ComposerLudwig Minkus
DirectorNatalia Makarova
ChoreographerNatalia Makarova Marius Petipa
Set designerPier Luigi Samaritani
Costume designerYolanda Sonnabend
Lighting designerJohn B Read
CastGary Avis, Luca Acri, Marianela Nunez, Natalia Osipova, Thomas Whitehead, Vadim Muntagirov
Stage managerJohanna Adams-Farley, Sarah Woodward
ProducerRoyal House
VerdictThe Royal Ballet excel at every level in Natalia Makarova’s production of an Imperial classic
FacebookTwitterLinkedIn
Add New Comment
You must be logged in to comment.
Anna Winter

Anna Winter

Anna Winter

Anna Winter

Your subscription helps ensure our journalism can continue

Invest in The Stage today with a subscription starting at just £3.98
The Stage
© Copyright The Stage Media Company Limited 2020
Facebook
Instagram
Twitter
Linked In
Pinterest
YouTube