Welcome! This is your first free article. Get more free articles when you sign up with your email.

Isadora Now: A Triple Bill

“An intense and vivid tribute”
FacebookTwitterLinkedIn

Viviana Durante’s all-female company is purpose-built for this triple-bill tribute to the “mother of modern dance”.

The revival of two short pieces and a newly commissioned longer one are all geared towards Duncan’s style of dancing that favoured natural movement and organic gesture over athletic technique.

Having injured herself in rehearsal, Durante was unable to perform the celebrated solo Five Brahms Waltzes in the Manner of Isadora Duncan choreographed by Frederick Ashton. Begona Cao was a more than acceptable substitute, skipping, floating and embracing the air with lyrical abandon. In a diaphanous orange dress she was both ethereal and earthbound, conjuring Duncan’s unfettered spirit with ease.

Duncan’s own work Dance of the Furies is a revelation. Women creep between pillars of a temple and gather around a flaming bowl like the witches from Macbeth. Liberated from the strictures of formal steps, the five dancers fling and hurl themselves around in full-body gestures, fists hammering at invisible doors and the air itself. The angry, ritualistic power of the female collective is astonishingly distilled into a piece lasting 10 minutes.

Finally, Unda by Joy Alpuerto Ritter is danced to the accompaniment of a live cello with electronic enhancements. Six large bowls are scattered around the stage, one of them filled with a dancer looking like an upturned tortoise. The dancers run and play and gather together in a sensuous study in mutual support. It is loose and tight simultaneously, as if Balanchine’s Serenade had been remodelled by Pina Bausch.

The sequence in which one woman attempts to keep her slowly collapsing sisters upright is the human equivalent of the spinning plates act.


Related to this Review

The Cellist/Dances at a GatheringThe Cellist/Dances at a Gathering

Production Details
Production nameIsadora Now: A Triple Bill
VenueBarbican Theatre
LocationLondon
StartsFebruary 21, 2020
EndsFebruary 29, 2020
Running time1hr 10mins
ComposerJohannes Brahms, Christoph Willibald Gluck, Lih Qun Wong
ChoreographerFrederick Ashton, Isadora Duncan, Joy Alpuerto Ritter
Set designerFabiana Piccioli, Marie Cantenys Studio
Costume designerDavid Dean, Marie Cantenys Studio
Lighting designerFabiana Piccioli
CastBegona Cao, Christina Cecchini, Nikita Goile, Charmene Pang, Joy Alpuerto Ritter, Serena Zaccagnini
Production managerJohn Valente
Stage managerSarah Seymour
ProducerViviana Durante Company
VerdictBrief but intense and vivid tribute to the work of Isadora Duncan
FacebookTwitterLinkedIn
Add New Comment
You must be logged in to comment.
Neil Norman

Neil Norman

Neil Norman

Neil Norman

Your subscription helps ensure our journalism can continue

Invest in The Stage today with a subscription starting at just £3.98
The Stage
© Copyright The Stage Media Company Limited 2020
Facebook
Instagram
Twitter
Linked In
Pinterest
YouTube